The Texture of A Bajan’s Photojournalism©2024ISBN978-976-97267-4-1

William's Podcast

19-03-2024 • 18 mins

As an Author,,Cinematographer ,Cultural Theoretician ,Doctoral Student  License Cultural  Practitioner, Media Arts Specialists’ and Publisher, in exploring The Texture of A Bajan’s Photojournalism. I categorised as a metaphoric and pedagogical lens. It offers a unique perspective on reality, allowing for reflection and a time for reflection. It is a static medium that allows me to see and read the present moment, a resurrection from the dead. Unlike videotape, cinema, and TV, photography which allows us to re-create this reality through reflection. All things being equal I presume that it’s logical to conclude that its immobile nature, silence, and colour make it a contemplative medium for exploring ideas of history and cultural critique on texture. This view is corroborated by https://www.jstor.org/stable/20007123. Now that I have stated my intention that is to deconstruct and conceptualize  photography as my  medium that allows me to explore ideas of history central to the cultural critique texture including codes of manners, dress, language, religion, rituals, art, norms, law, morality, and belief systems placing emphasis on the texture of acculturation. In my view  this refers to lead to outward actions which blends with its culture and the influence of technology this view is espoused by https://barbadosenvironment.org/areas-of-interest/marine-conservation/#:~:text=. The research, conducted by yours truly a License Cultural Practitioner and Cultural Theoretician, I have utilised pedagogical and cognitive dissonance lenses to analyse the Bajan architecture, ecological landscape design, iconic cultural landmarks and meaningful experiences. This admission is reasonable to suggest that my findings would enhanced the visual quality of all of the subject's surface in capturing and framing texture with my  50mm prime lens which should significantly improved the visual quality of the objects and subject matter by enhancing shape, tone, and colour depth.

William Anderson Gittens,

Author, CEO,Cinematographer ,Cultural Theoretician ,Doctoral Student  of Divinity, Editor in Chief of Devgro Media Arts Services Publishing®2015,License Cultural  Practitioner, Media Arts Specialists’ and Publisher
PODCAST 182 The Texture of A Bajan’s  Photojournalism©2024ISBN978-976-97267-4-1


Was filmed by

William Anderson Gittens of

Devgro Media Arts Services®2015

On Location


Regarding The following-

The State House (formerly government house)built in 1702, is the president's official residence in Barbados and served as the governor-general's office after the country's independence from the UK in 1966.According to en.wikipedia.org/wiki/State_House,_Barbados

Farley Hill National Park, opened in 1966, hosts various events, including weddings and outdoor concerts. According to www.totallybarbados.com

The first Christ Church Parish Church in Barbados, built in 1629, is an iconic historic locale that showcases the resilience of its architectural heritage according to https://www.christchurchpc.com/history-architecture

Saint Philip Parish Church was destroyed by

Support the show

This theoretical conversation explored the historical context of Christianity's doctrine of creation. It is important to note that these doctrines are global citizens religious principles, while the theories are conclusions based on accumulated evidence focusing on Genesis 1:1 and Revelation 1:8, addressing debates on creation days, earth's age, and evolution.

The research indicates that Jesus' statements affirm God's independence and faith, as depicted in the discourse "Doctrine Is Part of The Christian Culture" ©2024 ” captured in publication 317 and ventilated in ISBN978-976-97146-9-4and framed in podcast 177