S9: The Truth About The Shroud of Turin
Does the Shroud of Turin really show the image of the incarnation of God the Son? My special guest tonight is investigative journalist Robert Wilcox who's here to discuss his book called 'The Truth About The Shroud of Turin' that explains why this image is absolutely real.
The shroud of Turin is one of history’s most controversial and perplexing relics. Many believe it to be the genuine burial shroud of Jesus Christ. Some hypothesize the image on the shroud was created through a rare scientific phenomenon. Still others think the shroud is a fake, proven—through carbon tests in 1988—to be a clever forgery. In The Truth About the Shroud of Turin , investigative reporter Robert K. Wilcox applies his investigative eye and compelling writing style to this mysterious artifact. Featuring new evidence, The Truth About the Shroud of Turin offers new insight into this baffling mystery and offers compelling evidence that the shroud is the authentic burial shroud of Jesus Christ.
Here's the Wikipedia entry that Robert Wilcox says is an outright lie. Read for yourself:
The Shroud of Turin (Italian: Sindone di Torino), also known as the Holy Shroud[2][3] (Italian: Sacra Sindone[ˈsaːkra ˈsindone] or Santa Sindone), is a length of linen cloth bearing the negative image of a man. Some describe the image as depicting Jesus of Nazareth and believe the fabric is the burial shroud in which he was wrapped after crucifixion. The image on the shroud is much clearer in a black and white photographic negative—first observed in 1898 by photographer Secondo Pia—than in its natural sepia color.
First mentioned in 1354, the shroud was denounced in 1389 by the local bishop of Troyes as a fake. Currently the Catholic Church neither formally endorses nor rejects the shroud, and in 2013 Pope Francisreferred to it as an "icon of a man scourged and crucified".[4] The shroud has been kept in the royal chapel of the Cathedral of Turin, in northern Italy, since 1578.[2]
In 1988, radiocarbon dating by three different laboratories established that the shroud material was from the Middle Ages, between the years 1260 and 1390.[5] This test has sparked a debate of its own, with some scholars questioning the test result on the basis that the sample tested may have been contaminated or may have been taken from a strip of the shroud that was added later. All of these fringe hypotheses have been scientifically refuted, by carbon-dating experts and others using actual evidence from the shroud itself,[6]including the medieval repair hypothesis,[7][8][9] the bio-contamination hypothesis[10] and the carbon monoxide hypothesis.[11][12] The dating of the shroud nonetheless continues to be questioned by some people.
A variety of methods have been proposed for the formation of the image, but the actual method used has not yet been conclusively identified.[14] The shroud continues to be intensely studied, and remains a controversial issue among some scientists and biblical scholars.
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The shroud of Turin is one of history’s most controversial and perplexing relics. Many believe it to be the genuine burial shroud of Jesus Christ. Some hypothesize the image on the shroud was created through a rare scientific phenomenon. Still others think the shroud is a fake, proven—through carbon tests in 1988—to be a clever forgery. In The Truth About the Shroud of Turin , investigative reporter Robert K. Wilcox applies his investigative eye and compelling writing style to this mysterious artifact. Featuring new evidence, The Truth About the Shroud of Turin offers new insight into this baffling mystery and offers compelling evidence that the shroud is the authentic burial shroud of Jesus Christ.
Here's the Wikipedia entry that Robert Wilcox says is an outright lie. Read for yourself:
The Shroud of Turin (Italian: Sindone di Torino), also known as the Holy Shroud[2][3] (Italian: Sacra Sindone[ˈsaːkra ˈsindone] or Santa Sindone), is a length of linen cloth bearing the negative image of a man. Some describe the image as depicting Jesus of Nazareth and believe the fabric is the burial shroud in which he was wrapped after crucifixion. The image on the shroud is much clearer in a black and white photographic negative—first observed in 1898 by photographer Secondo Pia—than in its natural sepia color.
First mentioned in 1354, the shroud was denounced in 1389 by the local bishop of Troyes as a fake. Currently the Catholic Church neither formally endorses nor rejects the shroud, and in 2013 Pope Francisreferred to it as an "icon of a man scourged and crucified".[4] The shroud has been kept in the royal chapel of the Cathedral of Turin, in northern Italy, since 1578.[2]
In 1988, radiocarbon dating by three different laboratories established that the shroud material was from the Middle Ages, between the years 1260 and 1390.[5] This test has sparked a debate of its own, with some scholars questioning the test result on the basis that the sample tested may have been contaminated or may have been taken from a strip of the shroud that was added later. All of these fringe hypotheses have been scientifically refuted, by carbon-dating experts and others using actual evidence from the shroud itself,[6]including the medieval repair hypothesis,[7][8][9] the bio-contamination hypothesis[10] and the carbon monoxide hypothesis.[11][12] The dating of the shroud nonetheless continues to be questioned by some people.
A variety of methods have been proposed for the formation of the image, but the actual method used has not yet been conclusively identified.[14] The shroud continues to be intensely studied, and remains a controversial issue among some scientists and biblical scholars.
Follow Our Other Shows
Follow UFO Witnesses
Follow Crime Watch Weekly
Follow Paranormal Fears
Follow Seven: Disturbing Chronicle Stories
Join our Patreon for ad-free listening and more bonus content.
Follow us on Instagram @mysteriousradio
Follow us on TikTok mysteriousradioTikTok
Follow us on Twitter @mysteriousradio
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