Speakeasy Noir Cast

Resurrection Films

Tucked into a smokey back alley, into a secluded room of an illicit speakeasy filled with gambling, liqueur and podcasts! Come inside, sit down for a drink and join us while we discuss Film Noir of yesterday and Neo Noir's of today with your hosts Carly Street and Jason D. Morris Support this podcast: https://podcasters.spotify.com/pod/show/speakeasy-noircast/support read less

Season 3 Episode 14: American Murderer
Oct 21 2022
Season 3 Episode 14: American Murderer
In this weeks episode we welcome our fantastic guest Emmy Award Winning writer/director Matthew Gentile! He was kind enough to let us review his new noir crime thriller American Murderer!  Based on a true story, this riveting thriller follows Jason Derek Brown (Tom Pelphrey), a charismatic con man bankrolling his extravagant lifestyle through a series of scams. On Brown’s trail: LanceLeising (Ryan Phillippe), a dogged FBI special agent determined to put Brown behind bars. When Brown’s funds run low and his past catches up with him, he plots his most elaborate scheme yet,pitting himself against Leising in a deadly game of cat and mouse—and becoming the most unlikely and elusive fugitive on the FBI’s most-wanted list. Featuring an all star cast including - Tom Pelphrey, Ryan Phillippe, Idina Menzel, and Jacki Weaver. Directors Statement Why do we fall for con artists? Is it that they’re smart and the victims are gullible, or is itsomething deeper? This is the question at the heart of AMERICAN MURDERER.As a kid, I was obsessed with crime--so much so that I would browse the Top Ten MostWanted list, hoping to help the FBI catch a fugitive. One of them made a distinct impression onme: Jason Derek Brown, a surfer dude with spiky blonde hair and a smirk on his face. Comparedto Osama Bin Laden and Whitey Bulger, he just didn’t fit the profile.On the surface, AMERICAN MURDERER is a cat-and-mouse thriller about a fugitive and the FBIagent who has been tasked with bringing him to justice. But what fascinates me about Jason’sstory isn’t the crime itself; it’s how he impacted the people who loved him. That’s why I choseto tell his story through multiple perspectives. Whether the audience likes Jason or not–by theend of the film, they will get a 360-degree view of who he was.With AMERICAN MURDERER, my intention is to guide the audience to look directly into theeyes of a dark soul and shine a light on how he became this way. Thus the film poses anotherquestion: can we take a human being who is rotten to the core and move an audience to aplace of compassion? I believe that we can. -Matthew Gentile --- Send in a voice message: https://podcasters.spotify.com/pod/show/speakeasy-noircast/message Support this podcast: https://podcasters.spotify.com/pod/show/speakeasy-noircast/support
Season 3 Episode 10: Rebecca
May 31 2022
Season 3 Episode 10: Rebecca
In this weeks enthralling installment Jason talks about the trappings of getting old and Carly recounts her London tour - oh and we talk about the classic noir Rebecca! Rebecca is a 1940 American romantic psychological thriller film directed by Alfred Hitchcock. It was Hitchcock's first American project, and his first film under contract with producer David O. Selznick. The screenplay by Robert E. Sherwood and Joan Harrison, and adaptation by Philip MacDonald and Michael Hogan, were based on the 1938 novel of the same name by Daphne du Maurier. The film stars Laurence Olivier as the brooding, aristocratic widower Maxim de Winter and Joan Fontaine as the young woman who becomes his second wife, with Judith Anderson, George Sanders and Gladys Cooper in supporting roles. The film is a gothic tale shot in black-and-white. Maxim de Winter's first wife Rebecca, who died before the events of the film, is never seen. Her reputation and recollections of her, however, are a constant presence in the lives of Maxim, his new wife and the housekeeper Mrs. Danvers. Rebecca was theatrically released on April 12, 1940 to critical and commercial success. It received eleven nominations at the 13th Academy Awards, more than any other film that year. It won two awards; Best Picture, and Best Cinematography, becoming the only film directed by Hitchcock to win the former award. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." --- Send in a voice message: https://podcasters.spotify.com/pod/show/speakeasy-noircast/message Support this podcast: https://podcasters.spotify.com/pod/show/speakeasy-noircast/support
Season 3 Episode 7: Notorious
Apr 3 2022
Season 3 Episode 7: Notorious
Our brand new episode is out! In this weeks shenanigans we realise that Cary Grant is a pimp... the wine cellar is king and both shady hosts are nothing more than angry red blobs from an animated movie.... Notorious is a 1946 American spy film noir directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman, and Claude Rains as three people whose lives become intimately entangled during an espionage operation. The film follows U.S. government agent T.R. Devlin (Grant), who enlists the help of Alicia Huberman (Bergman), the daughter of a German war criminal, to infiltrate a Nazi organization. The situation becomes complicated when the two fall in love as Huberman is instructed to seduce Alex Sebastian (Rains), a leader of the organization who had previously been infatuated with her. It was shot in late 1945 and early 1946, and was released by RKO Radio Pictures in August 1946. Notorious is considered by critics and scholars to mark a watershed for Hitchcock artistically, and to represent a heightened thematic maturity. His biographer, Donald Spoto, writes that "Notorious is in fact Alfred Hitchcock's first attempt—at the age of forty-six—to bring his talents to the creation of a serious love story, and its story of two men in love with Ingrid Bergman could only have been made at this stage of his life."[4] In 2006, Notorious was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Directed by Alfred Hitchcock Written by Ben Hecht Produced by Alfred Hitchcock Starring Cary Grant Ingrid Bergman Claude Rains Louis Calhern Leopoldine Konstantin Cinematography Ted Tetzlaff Edited by Theron Warth Music by Roy Webb --- Send in a voice message: https://podcasters.spotify.com/pod/show/speakeasy-noircast/message Support this podcast: https://podcasters.spotify.com/pod/show/speakeasy-noircast/support
Season 2: The Lady In The Lake
Dec 25 2021
Season 2: The Lady In The Lake
Merry Christmas Noir Fans! We hope you enjoy our Christmas set noir pick for this episode, in which Carly yet again confuses Jason with her pigs in blanket crisps and Jason is unveiled as a closet Downton Abby fan. Lady in the Lake is a 1947 American film noir that marked the directorial debut of Robert Montgomery, who also stars in the film. The picture also features Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames and Jayne Meadows. The murder mystery was an adaptation of the 1943 Raymond Chandler novel The Lady in the Lake. The film was Montgomery's last for Metro-Goldwyn-Mayer (MGM), after eighteen years with the studio. Montgomery's ambition was to create a cinematic version of the first-person narrative style of Chandler's Philip Marlowe novels.[notes 1] With the exception of a couple of times when Montgomery (in character) addresses the audience directly, the entire film is shot from the viewpoint of the central character. The audience sees only what he does. MGM promoted the film with the claim that it was the first of its kind and the most revolutionary style of film since the introduction of the talkies. The movie was also unusual for having virtually no instrumental soundtrack, the music in the film being instead provided by a wordless vocal chorus. The film did not use Raymond Chandler's own 195-page screenplay adaptation dated July 5, 1945 which he wrote for MGM, but instead used a 125-page version written by Steve Fisher, which was filmed two years later.[2] The film's script changes the novel's midsummer setting to Christmastime, frequently using holiday themes as an ironic counterpoint to the grim aspects of the story. The opening credits are shown on a series of Christmas cards, which turn out to be concealing a gun. Directed by Robert Montgomery Screenplay by Steve Fisher Based on The Lady in the Lake 1943 novel by Raymond Chandler Produced by George Haight Starring Robert Montgomery, Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames, Jayne Meadows, Richard Simmons, Morris Ankrum Cinematography Paul Vogel Edited by Gene Ruggiero Music by David Snell --- Send in a voice message: https://podcasters.spotify.com/pod/show/speakeasy-noircast/message Support this podcast: https://podcasters.spotify.com/pod/show/speakeasy-noircast/support