[S4E2] Neon Genesis Evangelion, eps. 1–6

Episode Notes

Welp, here we go... I hope you aren’t interested in hearing two people talk a bunch about the lore of Neon Genesis Evangelion because that’s not at all what we’re interested in. But if you’re here for people talking about trauma, the indoctrination of toxic masculinity, and the nature of the fractured self, Connor and Niamh have got you covered.

We start out with Niamh describing the time fae went to pick up Shinji in faer car and use it to launch into discussion of mechs as bodies, how Evangelion draws extensively from the groundwork and themes laid out by Gundam and other earlier mecha anime, the overapplication of death of the author, the complicity of the US in the way that young girls are sexualized in Japan, Niamh trying to remember a galaxy brain meme, the difficulty of critically dealing with harmful tropes or topics like the sexualization of young girls in a work of media without falling into the problem of having to replicate it in the process, the conditioning of toxic masculinity, an actual breakdown of our read on Misato in general, how the animation of Evangelion contributes to the feeling of isolation, the significance of the codified cultural ritual of “tadaima” and “okaeri” for the meaning of Shinji and Misato’s relationship, how the series employs humor to continue to further its darker thematic elements, the employment of male nudity in the series (especially regarding Toji’s butt), the horror of combat in Evangelion, the fumbling missteps of Evangelion trying to discuss teenage sexual desire, the mingling of sexual desire with greater questions of identity and self, the textual effeminacy of Shinji’s design and tragedy of Rei's design, and Connor putting off really getting into his psychoanalytic theory bullshit and narrative theory bullshit.

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