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Episodes

Addison Rose Vincent
16-01-2024
Addison Rose Vincent
Addison Rose Vincent (they/them) is a 30-year-old transgender and nonbinary advocate, educator, and influencer based in Los Angeles, CA. They garnered national attention in 2013 as the first openly transgender participant in the Chapman University sorority rush process, and again in 2014 as the first openly transgender candidate in the Delta Queen pageant, leaving with the title of Miss Congeniality. Since graduating from Chapman in 2015 with a BA in Peace Studies, Addison has worked with various nonprofit organizations across the state and country advocating for the LGBTQ+ community, including the Victory Fund, Los Angeles LGBT Center, Strength United, TransLatin@ Coalition, Asian Pacific AIDS Intervention Team, and Nonbinary & Intersex Recognition Project. Addison currently serves as the Founder & CEO of Break The Binary, their consulting firm which provides DEI and LGBTQ+ training and supportive services to organizations, schools, and businesses around the world. Addison also serves as a Board Member for LA Pride and as the Project Director for History Reimagined, an organization focused on breaking cycles of domestic violence and the school-to-prison pipeline by empowering youth with their own family and community history.Engaging the World: Leading the Conversation on Health Equity is a series of interviews with activists, artists, educators, historians, and journalists about accessibility, cost, prejudice, and the human experience of healthcare in America.Guest: Addison Rose VincentHost: Jon-Barrett IngelsProduced by Past Forward in partnership with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University.
Nori Uyematsu
29-11-2023
Nori Uyematsu
Nori Uyematsu was born in Cupertino, CA and grew up in Cambell, CA. His family along with over 100,000 others were forced from their home and relocated to what Nori refers to as 'concentration camps" following Executive Order 9066. Nori enlisted in the army and served in the Korean War. Nori Uyematsu was commander of the Kazuo Masuda Memorial VFW Post 3670 in Garden Grove, CA, where he served three terms.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guest: Nori UyematsuHosts: Jon-Barrett IngelsProduced by: Past Forward
Janice Munemitsu
14-11-2023
Janice Munemitsu
Janice Munemitsu is a third-generation Japanese American Sansei. A native of Orange County, California, Janice was raised on the family farm and worked there from age 5 through high school. She is a graduate of the University of Southern California Marshall School of Business and Biola University Institute for Spiritual Formation. Her family name, Munemitsu, 宗 光, means source of light in kanji. The Kindness of Color is her first book.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guest: Janice MunemitsuHosts: Jon-Barrett IngelsProduced by: Past Forward
Gordon H. Chang
07-11-2023
Gordon H. Chang
Gordon H. Chang is professor of history at Stanford University and the Olive H. Palmer Professor in Humanities. In 2019, he published Ghosts of Gold Mountain: The Epic History of the Chinese Who Built the Transcontinental (Houghton Mifflin Harcourt) and, as co-editor, The Chinese and the Iron Road: Building the Transcontinental (Stanford University Press). These books draw from more than seven years of work conducted by the Chinese Railroad Workers in North America Project at Stanford which he has co-directed. His other books include Friends and Enemies: The United States, China, and the Soviet Union, 1948-1972; Morning Glory, Evening Shadow: Yamato Ichihashi and his Internment Writings, 1942-1945; and Fateful Ties: A History of America’s Preoccupation with China. He edited or co-edited Asian Americans and Politics; Chinese American Voices, with Judy Yung and Him Mark Lai; and Asian American Art: A History.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guest: Gordon H. ChangHosts: Jon-Barrett IngelsProduced by: Past Forward
Sylvia Chong
24-10-2023
Sylvia Chong
Sylvia Chong is Associate Professor in English and American Studies and founding director of the Asian Pacific American Studies minor at the University of Virginia. She received her B.A. in English and Philosophy from Swarthmore College, her A.M. in Education from Stanford University, and her Ph.D. in Rhetoric from the University of California, Berkeley. She is the author of The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era (Duke UP, 2012), co-editor of (Re)Collecting the Vietnam War (AALR, 2015), and has written articles and book chapters on American exceptionalism, hopelessness, orientalism, the Virginia Tech shootings, and Samuel Peckinpah. She is currently working on a history of cinematic yellowface and racial performance.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guest: Sylvia ChongHosts: Jon-Barrett IngelsProduced by: Past Forward
Greg Robinson
10-10-2023
Greg Robinson
Greg Robinson, a native New Yorker, is Professor of History at l'Université du Québec À Montréal, a French-language institution in Montreal, Canada. He is the author of the books By Order of the President: FDR and the Internment of Japanese Americans (Harvard University Press, 2001), A Tragedy of Democracy; Japanese Confinement in North America (Columbia University Press, 2009), After Camp: Portraits in Postwar Japanese Life and Politics (University of California Press, 2012), Pacific Citizens: Larry and Guyo Tajiri and Japanese American Journalism in the World War II Era (University of Illinois Press, 2012), and The Great Unknown: Japanese American Sketches (University Press of Colorado, 2016), as well as coeditor of the anthology Miné Okubo: Following Her Own Road (University of Washington Press, 2008). Robinson is also coeditor of the volume John Okada - The Life & Rediscovered Work of the Author of No-No Boy (University of Washington Press, 2018).His historical column “The Great Unknown and the Unknown Great,” is a well-known feature of the Nichi Bei Weekly newspaper. Robinson’s latest book is an anthology of his Nichi Bei columns and stories published on Discover Nikkei, The Unsung Great: Portraits of Extraordinary Japanese Americans (University of Washington Press, 2020). It was recognized with an Association for Asian American Studies Book Award for Outstanding Achievement in History Honorable Mention in 2022.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guest: Greg RobinsonHosts: Jon-Barrett IngelsProduced by: Past Forward
Stephanie Hinnershitz
26-09-2023
Stephanie Hinnershitz
Stephanie Hinnershitz is an author and historian with the Institute for the Study of War and Democracy at The National WWII Museum in New Orleans. She has previously taught at Valdosta State University and Cleveland State University. In addition to her professorships, her research has been supported by grants and fellowships from the Social Science Research Council, the Baker-Nord Center for the Humanities, the Office of Diversity at the United States Military Academy at West Point, the Library of Congress, and the American Council of Learned Societies.She is the author of Race, Religion, and Civil Rights: Asian Students on the West Coast, 1900-1968, A Different Shade of Justice: Asian American Civil Rights in the South, and Japanese American Incarceration: The Camps and Coerced Labor during World War II, which won the 2022 Philip Taft Labor History Award from the Labor and Working Class History Association and Cornell University Industrial Labor Relations School.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guest: Stephanie HinnershitzHosts: Jon-Barrett IngelsProduced by: Past Forward
Maggie Tokuda-Hall and Yas Imamura
12-09-2023
Maggie Tokuda-Hall and Yas Imamura
Maggie Tokuda-Hall is the author Also an Octopus, illustrated by Benji Davies, The Mermaid, The Witch and The Sea, Squad, illustrated by Lisa Sterle, and Love in the Library illustrated by Yas Imamura with more books forthcoming. She has a BA in Studio Art from Scripps College, and an MFA in Writing from University of San Francisco.Yas Imamura is an illustrator of many picture books for children, including Winged Wonders by Meeg Pincus and The Very Oldest Pear Tree by Nancy I. Sanders. She's also a product designer for clients such as Anthropologie, Papyrus, and Sanrio. She currently lives and works in Portland, Oregon.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guests: Maggie Tokuda-Hall and Yas ImamuraHosts: Jon-Barrett IngelsProduced by: Past Forward
Kiku Hughes
05-09-2023
Kiku Hughes
Kiku Hughes is a cartoonist and illustrator based in the Seattle area. Her work has been featured in Beyond Anthology volumes 1 and 2, Short Box #6 and the Alloy Anthology. She creates stories about identity, queer romance and compassionate sci-fi. Displacement is her first graphic novel, and it is a story she's wanted to share for as long as she can remember.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guest: Kiku HughesHosts: Jon-Barrett IngelsProduced by: Past Forward
Frank Abe
29-08-2023
Frank Abe
Frank Abe is co-author of the new graphic novel on Japanese American resistance to wartime incarceration, We Hereby Refuse (Chin Music Press: A Wing Luke Museum Book). He won an American Book Award for John Okada: The Life & Rediscovered Work of the Author of No-No Boy (University of Washington Press), and made the award-winning PBS documentary, Conscience and the Constitution, on the largest organized camp resistance. He is currently co-editing an anthology for Penguin Classics on The Literature of Japanese American Incarceration.Abe contributed the afterword to Nisei Naysayer: The Memoir of Militant Japanese American Journalist Jimmie Omura (Stanford University Press), contributed a chapter to Frontiers of Asian American Studies (Washington State University Press), and has written for Ishmael Reed’s Konch, The Bloomsbury Review, Case Western Reserve Law Review, Amerasia Journal, International Examiner, Nichi Bei Weekly, Rafu Shimpo, and Pacific Citizen, among others.Medium History explores memories and moments through creativity and expression, capturing the cultural ethos of that time and place through storytelling and representation. Visual material culture, such as art, and other multimodal forms can elicit responses, emotions, and opinions—human expressions, tied to temporal and cultural aesthetics. This program explores how creative mediums provide context for history beyond dates, and names, and figures.Partnering with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, this series will explore how comics, comic books, and graphic novels from and about the Japanese American Incarceration following Executive Order 9066, humanize the tragic experience, allowing the stories to live long past the lives of those who experienced it, and ensuring this never happens again. Supported by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library, this series is designed to be a companion to the interactive web project, Images and Imaginings of Internment: Comics and Illustrations of Camp.Guest: Frank AbeHosts: Jon-Barrett IngelsProduced by: Past Forward