The Pulp Writer Show

Jonathan Moeller

Hosted by Jonathan Moeller (author of the FROSTBORN and SEVENFOLD SWORD fantasy series and the SILENT ORDER scifi series), the Pulp Writer Show discusses how to write, format, publish, and sell your novel. Sometimes there are jokes. read less

Episode 169: Should Indie Authors Produce Audiobooks?
Sep 25 2023
Episode 169: Should Indie Authors Produce Audiobooks?
In this week's episode, we take a look at the perils and advantages of audiobook production for indie authors. A preview of DRAGONSKULL: FURY OF THE BARBARIANS (as narrated by Brad Wills) is included at the end of the episode. It’s time for a new Coupon of the Week! This week’s coupon is for the audiobook of GHOST IN THE FORGE, as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE FORGE for 75% off at my Payhip store with this coupon code: GHOSTFORGE The coupon code is valid through October 7th, 2023, so if you find yourself in need of a good listen as we advance into fall, perhaps it’s time to get a new audiobook! TRANSCRIPT 00:00:00- Intro and Coupon of the Week Hello, everyone. Welcome to Episode 169 of the Pulp Writer Show. My name is Jonathan Moeller. Today is September, the 22nd, 2023 and today we're going to discuss whether or not indie authors should produce audiobooks. Before we get to our main topics, let's do Coupon of the Week. This week's Coupon of the Week is for the audiobook of Ghost in the Forge as excellently narrated by Hollis McCarthy. You can get the audiobook of Ghosts in the Forge for 75% off at my Payhip store with this coupon code, GHOSTFORGE. That coupon code is valid through October the 7th, 2023. So if you find yourself in need of a good listen as we advance in the fall, perhaps it's time to get a new audiobook. You can get the coupon code and the link to the store in the show notes. Let's have some updates on my current writing projects and some questions and comments from readers, and then we'll get to this week’s main topic. 00:00:59- Writing Updates I am almost to the end of Chapter 15 of 20 of Ghost in the Serpent, which means I'm just about 75% of the way through the rough draft, so I'm hoping I will wrap that up soon, probably before the end of September, but possibly in the first week of October. The audiobook of Dragonskull: Fury of the Barbarians is finished and is currently processing through all the stores, so hopefully we'll be able to announce that soon. And in fact, we're going to include an excerpt from Dragonskull: Fury of the Barbarians at the end of this episode, so you will be able to listen to a sample. Dragonskull: Tales of the Sorcerer is also going to be started. I think we're going to start recording that on Monday if all goes well, so hopefully we should be able to get that out and available before the end of the year. And once Ghost in the Serpent is finished and published, the next project will be Cloak of Embers, which I hope to start writing in October. That is a neat segue into questions from readers. 00:02:01 Reader Questions Our first question this week is from John, who asks: This is great news. I've been wanting to read more about Caina and her friends, and now we're finally going to get a new series with her. I just checked and there is no pre-order available yet, so please let me know where we can get this one. I don't usually do pre-orders because setting the logistics of it can be kind of a hassle but if all goes well, Ghost in the Serpent should be out sometime in October 2023, so not too much longer. Our next question is from Michael, who asks: Have you tried Starfield, Jonathan or do you intend to at some point when you have the time? I was surprised at just how much like Skyrim in space it is. I have in fact tried Starfield. I have Xbox Game Pass for the Xbox I got last year and since Starfield’s in Game Pass, I went to install it and give it a try. Michael's right, it is very much like Skyrim in space where instead of a sword and magic spells, you have a laser gun in the spaceship. Though if you get an axe, you can fight with it like it's a sword. I haven't had much time to play it because I've been focused on trying to get Ghost in the Serpent finished, but I should have more time to play it soon, I think. Our final question this week is from Godfrey who asks: I love all your books that I've read so far. Still a few to go. I'm slightly confused. How about the audio availability of your Cloak Games and Cloak Mage series? Both these series, which are some of my favorites, only appear to have audio available for the first few books. I'm wondering therefore, if there are plans to issue the rest of each of these two series as audiobooks. Thanks for the kind words, Godfrey. I am glad you enjoyed the Cloak Mage and Cloak Games books and in answer to your question, this is a perfect segue into the main topic of the week, whether or not indie authors should produce audiobooks. 00:03:45: Main Topic of the Week I had a conversation the other day about how indie authors sometimes try to produce audiobooks only to give up because the audio books don't sell or don't turn a profit. This is quite understandable. Audiobook self-publishing is like the hard mode of ebook self-publishing. Everything about the process is slower, harder, and more expensive than publishing ebooks, especially the more expensive part. As I've logged before with a bit of work, it's possible to produce an ebook entirely with free software. Audiobooks, if you want to hire a really good narrator, are going to cost between $200 and to $400 per finished hour. So, some basic math will demonstrate the difficulty. At 10 hours long, an audio book of your novel might cost you around $3,000 to produce. If you sell it exclusively via ACX, which means Audible, Apple and Amazon, you will probably get an average of $5 per sale, which means you have to sell about 600 copies to turn a profit. If you sell it through wide distribution, which means you can sell in stores other than Apple, Audible, and Amazon, you will probably get around $2.40 for an ACX sale. Though what you will get on with other stores can range from anywhere to like $1.00 in the library services to almost $6.50 on Chirp and Google Play, depending on your sale price. So just on ACX sales alone, you would need about 1,240 sales to get back your money. Therefore, if you are an indie author and you are thinking about audiobooks, it's a good idea to take a hard look at your finances and business plan and think about whether it's really a smart idea or not. All that said, I have turned a profit on several of my audiobook projects, Frostborn number six through eleven have all made back what I spent on them, and so have about six of the eighteen Ghost books. I'm pretty sure they'll all eventually earn back what I spent. I am unsure if the Cloak Games or Cloak Mage books will earn back. To refer to Godfrey’s earlier question, so that's why I haven't done any more of them for a while. With all that in mind, here are some….actually, how many tips are these?…with all that in mind, here are 9 tips I found that make audiobook production profitable. 00:05:56: Tips for Audiobook Production #1: Deductions Depending on how you have organized your publishing business, you may be able to take the production cost of your audiobooks as a business deduction on your taxes, which could reduce your total tax liability, i.e. how much you owe the government when you file taxes. Note that I am not an accountant or a lawyer and you should obtain tax advice from an accountant qualified for your jurisdiction and legal advice from a lawyer licensed to practice in your jurisdiction. That said, the whole idea of deductions sometimes gets sneered at by people ignorant of how taxes actually work, like it's some sort of trick which people use to buy themselves caviar but in most taxing jurisdictions, you can deduct business expenses from your taxes. Though what qualifies as business expenses will vary depending on where you live and what sort of business you actually have, basically business deductions are the governments way of saying spend this income on something on our list of approved expenses to benefit the economy or we're going to take it as taxation, so in my specific situation and business structure, audio production is a deductible expense, which is very beneficial when it comes time to file taxes for the year, but again, consult with a qualified accountant regarding your specific situation. Of course, there are still taxes on audiobook payments. I have to file 1099 Forms for my narrators, which means they have to pay taxes on the payment as income. When I file taxes and then any sales of the audiobook count as taxable business income, to say nothing of the state sales taxes the customer pays when buying the audiobook. Uncle Sam has centuries of practice of getting his cut and he's very, very good at it. In my frank opinion, it's wisest just to figure out what you legally owe, preferably with the help of a qualified accountant, and paying that. A lot of otherwise smart people have brought themselves a lot of woe by ignoring that obvious truth. 00:07:35: Tip #2 #2 Finishing a Series I've noticed that in fantasy and science fiction, readers really dislike an unfinished series. I had originally planned to make Silent Order open end with sort of an adventure of the week format, but that really didn’t work out. I think you could do a more open-ended series structure in genres like mysteries, thriller, and regional crime, but science fiction and fantasy readers have come to expect a complete series arc with a definite and satisfying conclusion at the end. Audiobook science fiction and fantasy listeners have that as well, but it's even more intense, selling just one audiobook that isn't part of a series is an uphill climb. I have noticed a definite uptick in sales once an audiobook series is complete. Listeners really like to be able to start a series and just listen on straight through to the end. That said, getting to a finished audio book series is a lot of work and money. Frostborn was 15 books long. The Ghosts and Ghost Exile together were 18 books. The last few books, and though all those series were longer than usual, which means they were more expensive to produce. So if you've written a really long series, getting the entire series in audiobook can be a huge commitment of time and money. As an example, the first Frostborn audiobook I self published was Frostborn: The Dark Warden in late 2018, and the final book finally came out in June 2022. The final audio book finally came out in June 2022, almost four years later. Why the delay? Money ran short on occasion or I didn't have time to work on it or there were health difficulties and then COVID happened in the middle of all that, but now the series is complete and is consistently one of my best sellers. Audio books number one through five in the Frostborn series were produced by Tantor and then I did number 6 through 15 myself. 6 through 11 have all earned back where I spent and I expect 12 through 15 to reach that point sometime towards the end of 2024. So it was worth it to put them all out, but man, it was a lot of work to get there and I didn't even do the actual narrating. I paid someone else to do it. That said, if you write shorter series of books than I do, putting them out into audio will be obviously less expensive and less effort. 00:09:37: Tip #3 #3:  Ebook advertising Basically, if the ebook of your book sells well, then odds are the audiobook is going to do well as well. I've experimented a lot with this, but I haven't found very many very good ways of directly advertising audiobooks. More on that soon. It's easier to advertise ebooks than audiobooks, at least in my experience. So rather than trying to advertise audiobook, it’s generally better to advertise the ebooks attached to the audiobooks. As an example, I'm advertising The Ghosts Omnibus One at $0.99 right now. For every 10 or so sales of the ebook, I seem to get one sale of the audio book. Of course the ebook gets  about $0.35 a sale while the audiobook does roughly between $5 and $5.90 per sale, so the audiobooks really do help with the profitability of any advertising, especially on a discounted ebook. Interestingly, this means that if you have an ebook series that is also available in audiobook, that means it becomes easier to profitably advertise the series, because you will also have money coming in from the audiobooks. I've had a couple of months where 40% of the profit from advertising Frostborn and The Ghosts came from the audiobooks. Though as we've said, getting the entire series in audiobook can be a significant challenge. 00:10:47: Tip #4 #4: Bundles One thing I found that works well for audiobook sales is bundling. Like, The Ghosts Omnibus One which I mentioned above, is a bundle containing Child of the Ghosts, Ghost in the Flames, and Ghost in the Blood along with the short story Ghost Aria. This lets me have the nice quartered cover with four different titles on it so that it looks very good on Audible. Audible is basically the reason ebook bundles work so well. There have been some changes in recent years with the addition of Audible Plus, but Audible still mostly works as a subscription credit system. That means you subscribe to Audible and you get your credit a month, which you can then use to buy an audiobook on the store. Since you have the credit, it makes sense to get the longest possible audio book you can for your one credit to maximize the value. The Ghost Omnibus One was the first bundle I did in March 2020. I wasn't expecting much to happen because a lot of other stuff was going on in March of 2020, as you might recall, but the Ghosts Omnibus One was 39 hours long, which made for an attractive value for your credit. It did really well and was my first audio book title to sell more than 1,000 copies in total. I've since had good luck with other bundles. The rest of The Ghosts and Ghost Exile series, and then the Malison complete series audiobook. 00:12:04: Tip #5 #5: Going Wide. It might be worthwhile to go wide with your audio books, which means having them available on platforms other than Audible, Amazon and Apple. ACX, Amazon's audiobook creation platform has been nasty hook to it. If you set your audio books exclusive to ACX you can get 40% royalties, but if you go non exclusive which is what Y means in this context you get 25%. Sometimes depending on promotions and so forth and the weird way ACX's accounting works, in practice it turns out to be around 12%. For a lot of writers, it’s worthwhile to go exclusive with ACX because the money will be better and Audible, Amazon are the dominant market in audio book publishing. That said, it is in fact, possible to make more money at the other stores. Google Play, Chirp, Kobo, and Spotify all offer better royalty rates than ACX, even if they don't have the number of users that Audible does. Going wide also allows you to offer direct sales, i.e. selling off your own Shopify or Payhip store or other similar e-commerce platform. Part of the reason I can offer 75% off audio books for my Coupon of the Week is because even with the massive discount, I still make almost as much as I would with a non exclusive sale off ACX. Another advantage is that you get your audiobook into the various library services. The way most of these work is that the library or library system most likely gets access to a big catalog of books and ebooks and audiobooks and the library system only gets charged if someone actually checks out one of the titles. The rate per checkout for the author is pretty low. It's usually around $1.30 USD, but somebody was checking your audiobook out from the library probably wasn't going to buy it themselves, and the $1.30 is still better than nothing. We've mentioned earlier how if an ebook sells well, the attached audio book will probably sell as well. If you have a lot of ebook sales on non Amazon stores, then it is definitely worthwhile to think about going wide with your audiobooks. 00:13:50 Tip #6 Number 6: Chirp Deals Additionally, going wide offer is access to the one effective way I found of directly advertising audio books, Chirp deals. Chirp is owned and run by Bookbub. If you're familiar with Bookbub, you know they send out a daily e-mail newsletter containing links to free or discounted ebooks and authors and publishers pay for spots in those newsletters. I myself have done it many times. However, Bookbub could never promote audiobooks because Audible was the dominant force in audiobook publishing, and Audible doesn't let authors or publishers set the price for any audiobooks. To get around this problem, BookBub started its own audiobook store, Chirp Books, where they could sell audiobooks. Chirp offers a daily e-mail newsletter with a list of discounted books, and I've had good results with Child of the Ghosts, Ghost in the Cowl, and Cloak of Dragons. The reason those three audiobooks worked well is because they all have a long tail of sequels: 8 each for Child of the Ghost and Ghost in the Cowl and 5 after Cloak of Dragons. Usually for a Chirp deal, the first audiobook in the series is $0.99 and then I set the second and third books to $2.99 for the duration of the $0.99 promotion on the first book, which lasts a month. Obviously I will sell the most copies of the $0.99 audiobook and get about $0.30 a pop for those sales. But I get just under $1.50 for each of the sales on the $2.99 books and some lights them and goes on to get the entire series through. So the later titles in the series can generate like $5.50 per sale depending on price. This works so well that Cloak of Dragons has actually made more from its Chirp deal than it did from the entire time it has been on ACX. So if your audio books are wide and you have a series of them, is definitely worthwhile to apply for Chirp deal. That said, if you just have one or two audiobooks, you probably would not get much benefit from it. 00:15:46: Tip #7 #7 Time and Chance. The more audio titles you have across more platforms, the more likely it is that something will take off unexpectedly or do unexpectedly. Well, I had a good example of that in July. My payment from Findaway Voices was usually high. I dug into the data and found out that the Ghost series had experienced a very good month on Storytel. It's one of the stores you can accessed through Findaway Voices distribution. They're based in Sweden and mostly distributed in European and Asian countries. I honestly had only a vague idea that Storytel existed at all. But because my audio books were available there, I had a very good audio month in July, thanks to Storytel, sales. Granted, “plan on getting lucky” is not good planning and should not be in a business plan. However, for good luck to happen, it takes time and effort. Luck is like lightning and the more lightning rods you build, the better the chance of catching some lightning. It's just that audiobook lightning rods take a really long time to build. ACX famously offers royalty share audio book productions where instead of paying the narrator, you split the royalties from the audio book for seven years. If you pay for production, it's not unrealistic to project seven years or so to make your money back. Like, I started on Frostborn audio books in the fall of 2018 and finished the series in audio four years later in the summer of 2022. And like I mentioned above, 6 of the 10 books recorded in that time have turned to profit, which is actually really good in terms of the time frame. 00:17:12: Tip #8 #8: Beware of reviews. If you're new to the audiobook space, one thing to watch out for is the overall hostile tone of the negative reviews. I think some indie authors have gotten spooked by negative reviews that were weren't actually indicative of how the audio book was selling or was perceived. I have the feeling that the easier form of media is consumed, the nastier the reviews. Like, a book takes some amount of mental effort to read, but it's less effort to listen to than an audiobook and even less effort than watching a movie or playing a video game, so you are more likely to find over the top negative reviews. The easier form of a media is to consume, which is why you find things like people posting 7 hour video reviews of why they hate Starfield, or the PlayStation or something. I have an additional theory that this is one of the unfortunate side effects of social media. Negativity always gets more likes and clicks so some people become even more negative to get the likes and clicks, which sets up a vicious cycle. Anyway, what this means in the audiobook space is that you can have most perfect book ever written, narrated by the most beautiful and charismatic voice ever to speak a human language, a voice that would have made kings and emperors listen enraptured in ancient days, and people will still leave long angry reviews because they didn't like the way weather was pronounced. So when you publish your audiobook, be aware that it's going to get some negative reviews and don't panic when you do. I'm afraid it's simply inevitable and part of the process. Your audiobook will not be for everyone. The challenge is connecting your audiobook to the audience that will appreciate it, which is why we were talking about marketing so much. 00:18:40: Tip #9 #9 Selling AI audiobooks is even harder. Because audio audiobook production is expensive and difficult, and AI technology has advanced so much in the last few years, people have been experimenting with creating and selling AI generated audiobooks. This will not be the solution to the challenge of audio production. People seem to either love AI or hate AI, and I definitely have a strongly negative personal opinion about generative AI. That said, it won't be as amazing as its advocates think, nor as dire as the doomsayers believe. People who hate AI or love AI both have a vision where someday you'll be able to type in a prompt like: Lit RPG book where Luke Skywalker and Sherlock Holmes team up to Sauron on Muppet Treasure Island, and the AI will spit out a perfectly crafted book, movie, or game that matches that prompt. But this is as much a fantasy as Lysenkoism or the Whig theory of history, or Rumpelstiltskin’s attempting to generate infinite wealth by spinning straw into fake gold. As much as people like Bob Iger and David Zaslav would like to get rid of all those annoying actors or writers and replace them with AI, the technology isn't good enough, and the courts and the legislatures generally don't seem to be in favor of copywriting AI generated material. But that's a larger discussion beyond the scope of this podcast episode for the specific area of my audiobooks. The problem is that the AI can generate a voice that sounds almost like a perfect human voice, fluently reading the text. This has the unfortunate side effect of triggering the uncanny valley effect and making it difficult to listen to the audiobook for a long period of time because the voice swiftly becomes boring. You know the voice narrating the drug side effects at the end of commercials, where it's like Zinoplav can cause blah blah blah. Imagine listening to that voice narrating a nine hour romance audio book. The performative aspect of audio books is hard to quantify, but it is undeniably real and undeniably has a strong effect on the finished audiobook. I experimented with AI audiobooks on YouTube a bit over the last two years. Google Play came out with a program where you could automatically convert one of your ebooks to an AI narrated audiobook. Since I never had any intention of turning Silent Order into audiobooks, I felt comfortable experimenting with the program for that series since it wasn't screwing anyone out of a job. I didn't think the results were good enough to sell, but I did post them on YouTube for free, though, to be fair, I did make some money from the attached ads. What did I learn? First off, there isn't a lot of money in it. In the time I've had AI narrated audiobooks on YouTube, I made about 60% of what it would cost to turn Silent Order: Iron Hand into a real audiobook. Second, people really, really hate AI voices, like intensely and with a passion. They hate them, if a brief glance at the YouTube comments for those audiobooks will reveal, this is one of the things that the Pro AI advocates never seem to accept. People generally hate AI generated stuff. Like, people have no problem using generative AI to write their homework assignments or doing unpleasant writing tasks they don't want to do, like writing cover letters. That kind of thing. But when it comes to actually consuming entertainment media, most people hate AI like this. This sounds, looks, reads, like an AI did it has become a common insult online. 00:21:55 The Marvel show Secret Invasion got a lot of flack because they used AI generated images for the opening titles. Though to be fair, that show had a lot of other problems, so I don't really think AI is a way to lower the cost of audiobook production or to generate a viable audiobook for sale. I think the eventual use of the technology will be to integrate with ereaders. Like say you want your phone to read a book aloud to you. You'll select the voice and accent you want and the e-reader app will read a book to you. In fact, you already can do that on many devices, just with voices that aren't quite as advanced. In my opinion, I think that's a big win for accessibility for visually impaired readers and listeners. But I don't think it's going to replace human narration. 00:22:37 Conclusion Producing audiobooks can be very satisfying and help you reach an audience that otherwise wouldn't encounter your work, but they're definitely not a get rich quick scheme, and they are unquestionably a whole lot of work. If you're an indie author, should you turn your books into audiobooks? I'm afraid the answer has to be individualized. You have to take a good, honest look at your finances, business structure, and goals, and decide if audio production audiobook production will work for you or not. That said, it is nice when you get the emails from listeners saying they listen to the entire series on a cross country drive or while doing something difficult and unpleasant. And with that in mind, thank you all for listening to so many of my audio books. 00:23:18 Conclusion So that is it for this week. Thanks for listening to the Pulp Writer Show. I hope you find the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave for review on your podcasting platform of choice. Stay safe, stay healthy, and see you all next week. And now we'll close out the show with the sample of Dragonskull: Fury of the Barbarians as narrated by Brad Willis. 00:23:44: Audiobook excerpt of Dragonskull: Fury of the Barbarians
Episode 168: Fantasy Worldbuilding In The FROSTBORN Series
Sep 18 2023
Episode 168: Fantasy Worldbuilding In The FROSTBORN Series
In this week's episode, we take a look at some of the fantasy worldbuilding decisions that went into the FROSTBORN series. I also discuss finishing the original HALO trilogy on the Xbox console. It’s time for a new Coupon of the Week! This week’s coupon is for the audiobook of GHOST IN THE STONE, as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE STONE for 75% off at my Payhip store with this coupon code: GHOSTSTONE The coupon code is valid through September 29th, 2023, so if you need to listen to something while raking leaves, it might be time to get yourself a new audiobook! TRANSCRIPT: Hello everyone. Welcome to Episode 168 of the Pulp Writer Show. My name is Jonathan Moeller. Today is September the 15th, 2023 and today we're going to discuss fantasy worldbuilding in the Frostborn series. We'll also talk a bit about how I finished the Halo trilogy and comments on last week's episode and some updates on my current writing projects. But before we get to all that, let's first have Coupon of the Week for this week. 00:00:28 This week's coupon is for the audiobook of Ghost in the Stone as excellently narrated by Hollis McCarthy. You can get the audiobook of Ghost in the Stone for 75% off at my Payhip store with this coupon code GHOSTSTONE. Again, that's Ghost Stone spelled GHOSTSTONE. It will also be in the show notes. The coupon code is valid through September 29th, 2023. So if you need to listen to something while raking leaves, this might be a good time to get yourself a new audiobook. 00:00:57 What I am working on right now is Ghost in the Serpent, the first new Caina book in two years and the first book of new Ghost Armor series. I'm currently 36,000 words into it, which puts me on Chapter 8 or 9 of 20. I can't remember which, I'll double check and we will talk a little bit more about that later in the show. Once Ghost in the Serpent is out, I'm hoping to have that out in October and then I will start in the next Nadia book Cloak of Embers. I haven't done a Nadia book since April, which is a bit of a time delay, but I wanted to spend the summer finishing things. As I mentioned with The Dragonskull Series and The Silent Order series and now both of them are done. So it is time to start something new, which would be the Ghost in the Serpent and Ghost Armor series in this case. 00:01:46 In audio book news we are doing audio book proofing for Dragonskull: Fury of the Barbarians right now and hopefully that will be wrapped up this coming week and then we can get the audiobook out before too much longer. 00:02:01 Before we get to our other topics, I wanted to read a comment from longtime reader William about last week's episode about finishing The Silent Order series, and William has to say: It's hard to put a number on it, but writing different series and different genres probably helps bring in new readers. Silent Order was the first of your series that I started reading specifically because of a post on William King's blog about your experiment with Eclipse Hand followed by Cloak Games, Demonsouled, The Ghosts and eventually Frostborn. Even if Frostborn and its sequel series at your best sellers (and they are), I might never have picked up the Gray Knight if I just stumbled across it on Amazon. An example would be Games Workshop, which started out making a lot of odd games and spin offs aside from its two massively popular miniature war games. These both help pick them new players and encourage writers to explore new themes which fed into and enriched the main games. Naturally, they didn't sell as well as the main games, and occasionally they didn't sell very well at all. So gradually the marketing and sales department managed to shut down any such projects, and for a decade or so, their two main games grew staler and sales stagnated, and then they started trying to diversify their offerings again, as well as improve community outreach and other initiatives and sales improved. The post he's referring to was one about Eclipse Hand, where you'll remember if you listened last week's episode, I had written Silent Order Eclipse Hand entirely with free software like Ubuntu Linux, Libre Office, Office Writer, Sigil, and so forth, just to prove a point that it could be done and I did. So it it's funny how there are many different ways that readers can feed into your books. And that's one of the reasons I wanted to persist with that Lit RPG series, which I'm working on the side right now in hopes of, you know, bringing in new readers. But that reminds me of a verse from the Book of Ecclesiastes, where it's cast your bread upon the waters and in seven days it will return to you. There's a couple different interpretations of that passage, but one of them is that sometimes it's good to take chances on things because you don't know how it will come back to you later. And so if you have any other comments or questions that you would like answered on the show, leave a comment or question on my website or Facebook page, and we'll see if we include it. 00:04:18 And now some more information about Ghost in the Serpent. When I mentioned that my next book would be Ghost in the Serpent and that got both an enthusiastic response and a few questions. So let's answer them here. When will Ghost in the Serpent come out? Hopefully October if all goes well and nothing drastic comes up. When in the series’ timeline does Ghost in the Serpent take place? Just about a year after Ghost in the Sun, which you will recall was the last Caina book I wrote back at the end of 2021. How many books will the Ghost Armor series have? I am planning for six. Will there be an audiobook for Ghost in the Serpent? We are hopefully planning to record Ghost in the Serpent in November, if all goes well. And do you need to reread the previous Ghost books first, before reading Ghost in the Serpent? The answer is, if you want to. The truth is, I can try to make Ghost in the Serpent as stand alone as I want, and I will try to, but people will still want to read the previous books anyway, like I had to laugh when I saw some of the coverage for the Ahsoka TV show with the show’s creators insisting that you didn't need to watch Star Wars Rebels or the Clone Wars first to understand the show. Meanwhile all these content mills are coming out with articles like 27 essential Rebels episodes to watch before Ahsoka. So if you've never read any of the ghost books, the first book, Child of the Ghosts, is free on all ebook platforms, and the bundle of the first three books, The Ghosts Omnibus One, is only $0.99 in U.S. dollars on all platforms at the moment. Next question was when are you going to write another Nadia book?  After Ghost in the Serpent is done. It will be called Cloak of Embers and will hopefully come out in November or December. Finally, what will Ghost in the Serpent be about? Well, you'll just have to read and find out. One preview: we never did find out why the surge someone send Kylon back to New Kyre. 00:16:48 One amusing thing that happened recently was that I accidentally finished both Halo 2 and Halo 3 on the Xbox. I've mentioned before that I didn't play any console games at all from about 1998 to 2019, so I missed out on the entire Halo series, but in 2022 I got an Xbox and after I used it to beat Skyrim, I started in on the Halo Series and I beat the original Halo single player campaign in October of 2022. This year I fired up Halo 2 and started playing through the main campaign. I sort of got distracted for a while in May, but I came back to it in August and picked it up again. I kept plugging away at the main campaign and to my surprise I suddenly beat it. Halo 2 ends on something of a cliffhanger, so I could see why Halo 3 was such a big deal back in 2007. Naturally, I had to keep going, and since Halo 3 is included in the Master Chief Collection, which is included in Xbox Game Pass, I started up on Halo 3. Apparently in its first week of sales back in 2007, the game made more than $300 million, which is like major motion picture territory, and in my opinion, Halo 3 totally deserved it. There are some amazing levels in that game, like the bit where the Master Chief has to take down the two giant enemy next simultaneously or the final level when Master Chief and the Arbiter have to escape the collapsing Halo with Master Chief driving the warthog and the Arbiter running the machine gun on the back, it's like Mario Kart, but with firearms. I think the original Halo remains my favorite because of its relative simplicity. There are only so many weapons and so many enemy types, but the game puts them to good use. I have to say console gaming is a very different experience than PC gaming, I said I didn't play any console games at all, from about ‘98 to 2019, but that isn't to say I played no games, I just spent a lot of time PC gaming in the 90s and 2000s and in the 90s, that meant fiddling with autoexec.bat and config.sys and making sure emm386.exe was configured properly. Oh, and making sure the sound card was configured to use a different IRQ than the other devices on the system. Granted, if you were born in the 90s or the 2000s, you probably have no idea what I was talking about just now, but if you know you know, whereas with the console you just download the game and it almost always works. Very different experience! Though I have to say my favorite part of Halo has to be the parts where you get a tank and start blasting away at the enemy. Very satisfying. We had a couple of good comments about Halo when I posted about it on Facebook. Reader Jeremiah says: My son and I played the Master Chief collection together and of course use the skulls which he had previously collected such as infinite ammo, etcetera. I forget which Halo game it was, might have been 3 but not sure. One of the skulls allowed you to practically fly by jumping and holding that button down. You had a blast on that. You'd crash into a wall going fast and die, or just slide past all the enemies and keep on going. I think that's one of the reasons why Halo is so enduringly popular, much like Mario Kart is because it gives such good multiplayer experience that hopefully you can build some positive family memories around. Our next comment about that comes from JK who says: I used to do PC game phone tech support in the late 80s and had to actually talk people through editing their autoexec.bat and config.sys files. Well my hat is off to you, JK. That sounds extremely difficult. By the time I started doing tech phone support, that was in the age of Windows 98, Windows 2000, and Windows Millennium Edition, I don't know if any of your listeners out there remember Windows Millennium Edition, but it was deeply terrible and broke frequently, so I spent a lot of time dealing with phone support with Windows 98 and Windows Millennium Edition, especially Windows Millenium Edition, but that was still less complex and less aggravating than trying to talk someone through fixing their autoexec.bat file over the phone had to have been. 00:10:12 Now on to our main topic this week, a question about fantasy world building in the Frostborn series. This comes from reader Paloma, who asked a question about Andomhaim: A question: The Magistri get married and have families, but I don't remember any Magistrius in the books having any woman or man, though it's hard to think like that with mentality of the Middle Age world with them, I hope not that the men in this situation are like monks because I hope Joaquin has someone amazing in his future. In answer to that question, we're going to talk about it for a while. In the Frostborn world, the Magistri can get married. Minor spoiler if you read the Frostborn: The Shadow Prison, the Magistrius Camorak marries a widowed baker after the Frostborn War after she essentially bakes her way into his heart. The Magistri were founded at a time when Andomhaim’s population was low and so everyone of every station of life was encouraged to have children. A few of the first Magistri wanted the Order of the Magistri to become a monastic religious order that happened to wield magic, but there was sufficient opposition to the idea that it didn't happen. They sort of compromised halfway where all magic users in Andomhaim would be required to join the Magistri, but could still have possessions and get married. That said, the Magistri do tend to get married at a much lower rate than the nobles and commoners for three reasons. First reason is that Andomhaim has an overall suspicion of magic. It's much stronger among the commoners than the nobles, but it's still there among the nobility. A lot of people remember that a significant portion of the Order of the Magistri sided with Tarrabus Carhaine and the Enlightened of Incariel during the Civil War, and the Frostborn series. There are many, many stories about Magistri going bad that have worked their way into the folklore of Andomhaim. The evil wizard is as much of a stock character in the songs and tales of Andomhaim as it is in modern day fantasy novels. This isn't entirely fair to the Magistri, of course, but the belief is there, though people who have been healed of serious injuries by the healing spell of the Magistri often they have a much higher opinion of the Order. The second reason is money. Magistri can get a stipend from the Order or from the noble in whose court they serve and they can't hold land. So though the Order as a whole can hold estates to support itself, marriage in Andomhaim, especially between nobles and wealthy merchants, is usually more about property and producing heirs than romantic love. Since the Magistri don't bring any property to a marriage, that's often a nonstarter, especially among nobles. Commoner Magistri like Camorak are much more likely to get married. The third reason is that Magistri frequently becomes so enamored of their studies that they simply don't have time for marriage and very little interest in pursuing one. Magic, to paraphrase an old comedy sketch, is one heck of a drug, which is one of the reasons why Magistri do go bad. They become so obsessed with magical power and learning more secrets that they lose their connection to the rest of humanity. That said, it's not terribly common for male Magistri to have mistresses in the form of “housekeepers” and so forth. It's a bit like the Western Church during the Middle Ages. One thing that perpetually vexed clerical reformers in the Western Church throughout the Medieval period was how many priests had common law wives and concubines. Remember that life in the Middle Ages was frequently very harsh and while the village priests often would work lands and farm alongside the rest of the peasants, he nonetheless had had better income and more prestige than many other villagers. Becoming the priest’s “housekeeper” was often a more attractive prospect than the other available options. In fact, in some reasons, this arrangement became so frequent, so common that a frequent effort of clerical reform was attempting to keep a priest from passing his office down to his eldest son via his common law wife. In Andomhaim, the church has evolved to a structure more similar to the Eastern Church during the Middle Ages. Priests could be married, but bishops and abbots were expected to be unmarried and be celibate. While less frequent than the Magistrius with a housekeeper, female Magistri sometimes become the mistresses of the nobles in whose court they serve. It's a frequent enough occurrence that the beautiful young Magistria and the grim Lord whose eye is caught by the beautiful young Magistria are stock characters in these songs of Andomhaim like the evil wizard described above. Though, depending on the personality of the individual Magistria, bard who sings one of those songs within her earshot might gain a lifelong enemy. The Swordbearers, by contrast, are much more popular than the Magistri. Partly this is because they integrate in Andomhaim social structure more easily. Swordbearers can and frequently do hold land. Constantine Licinius is a Swordbearer and a dux of the Northern Land and Ridmark Arban is the Commons of Castarium and the Constable of Tarlion. And they're both Swordbearers. Since Swordbearers are supposed to protect the people of Andomhaim from dark magic and knights and nobles are supposed to protect the people of their lands, the two roles to use rather neatly. While both commoners and nobles have become Magistri and Swordbearers, there's something more aspirational about becoming a Swordbearer, a wandering knight who wields the sword of white fire against monsters. Knights of the Soulblade, of course, can get married even though they are more likely to leave widows and orphans than the Magistri. And consider the Swordbearers and the Magistri from the perspective of common peasant who doesn't know any of this, a Magistrius or Magistri would be a remote, aloof man or woman wielding abilities you don't understand, and that he or she might have gotten them from the devil. You've heard stories about how Magistri can serve dark powers. Maybe they can heal injuries, but at what cost? But then an urvaalg starts, probably around the forest near your village. It kills three of your cows, and it also kills the blacksmith’s son and two of the Lord’s men in arms. Nothing can kill the monster. And everyone locks themselves in their houses at night, fearing that the beast will come out of the darkness for them. Then a grim taciturn warrior arrives at your village, maybe alone, maybe with a few trusty companions with a sword of white fire. He kills the monster that's been terrorizing your village and leaves its head mounted on stake. And then he also kills one of the village elders. Apparently the elder had been controlling urvaalg with dark magic, using it to attack his rivals’ livestock, and in some cases, his rivals themselves. With that done, the sword bear moves on to his next quest. So both the Magistri and the Swordbearers are feared. But the Swordbearers are more respected. However, because of the violent nature of a Swordbearer's career, the Magistri in general tend to live much longer. 00:16:29 So I hope that provides a good explanation of some of the worldbuilding behind the FROSTBORN series, and that is it for this week. Thanks for listening to the Pulp Writer Show. I hope you found the show useful. If you enjoyed the podcast, please leave a review on your podcasting platform choice. Stay safe and stay healthy and see you all next week.
Episode 167: Finishing the SILENT ORDER series
Sep 8 2023
Episode 167: Finishing the SILENT ORDER series
In this week's episode, I celebrate finishing the 14th and final book of the SILENT ORDER series by looking back at the writing of the series over the last six years. This week’s coupon is for the audiobook of GHOST IN THE STORM, as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE STORM for 75% off at my Payhip store with this coupon code: GHOSTSTORM The coupon code is valid through September 29th, 2023, so if you find yourself needing entertainment as we proceed deeper into the school year, perhaps it's time to get a new audiobook! TRANSCRIPT 00:00:00 Introduction and Coupon of the Week Hello, everyone. Welcome to Episode 167 of the Writer Show. My name is Jonathan Moeller. Today is September the 8th, 2023, and today we're taking a look back at writing the Silent Order series and a retrospective of the last six years. First, let's start off with Coupon of the Week. This week's coupon is for the audiobook of Ghost in the Storm as excellently narrated by Hollis McCarthy. You can get the audiobook of Ghosts in the Storm for 75% off at my Payhip store with this coupon code GHOSTSTORM. That’s GHOSTSTORM and you can find the link and the coupon code in the show notes. This coupon code will be valid through September the 29th, 2023. So if you find yourself needing entertainment as you proceed deeper into the school year, perhaps it's time to get a new audiobook. 00:00:50 Writing Updates What have I been working on? Brand new-wise, as you can probably tell from the title of this episode, Silent Order: Pulse Hand is done and it is published and you can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip. So the series is complete and the last book is now available and it's selling briskly. And thank you all for that. Now that that is done and my Summer of Finishing Things is finally finished with Dragon Skull and Silent Order being finished, I have started on the Ghost Armor series and the first book will be Ghost in the Serpent. And I am 10,000 words into it as this recording. And if all goes well, I'm hoping that will be out sometime in October and the audiobook of it before the end of the year. Starting a new series like this involves a fair bit of world building, and there's one good trick to know if you've picked a good name for a fantasy character. You Google it and you get 0 results. I do always Google character names before I commit to them. Sometimes you accidentally pick the name of someone who's been some sort of notorious criminal or controversial political figure, so it's best to avoid that, which I have to admit is less of a problem with fantasy names. However, when inventing fantasy names, you do occasionally stumble on a name that means another language, something like “very impolite term for women who sells carnal favors to the lowest echelons of society.” And you definitely don't want your character named after that, so it is always wise to Google. In audiobook news, the recording is underway for Dragonskull: Fury of the Barbarians. I expect we will start proofing chapters soon and I am looking forward to sharing that with all of you once it's done. We have one reader question this week from Wilson, who says: When are you coming back to the Third Soul series? Also Sevenfold Sword Online is calling you, lol. In answer to that… How to phrase this? I'm not saying no to doing more than Third Soul, but I don't have anything planned at the moment. I wrote The Third Soul, what would become The Third Soul now, 14 years ago, back in 2009? And so if I was to do it today, I would want to do many things differently. So if I did do something in The Third Soul, it'll probably be a slightly improved version of the setting with new characters, which, as I said, I'm not saying no to, but I don't have any current plans to do so. I am working on the Sevenfold Sword Online book. I'm on Chapter 2 of…actually, I don't know how many chapters it will be, but probably in the upper teens. But I am about 5,000 words into it. And I think that will probably be the either last book I published in 2023 or the first book I published in 2024, we'll see how the rest of this year goes. 00:03:40 Silent Order Retrospective Now, on to this week's main topic, a retrospective back on the Silent Order series, which seems suitable because as I said earlier, my Summer of Finishing Things has finished. The Silent Order of science fiction series is finally complete after 14 books, 769,000 words and six years. In fact, September 2023 marks the six year anniversary of when I published the first five books in the series. Like I did with Dragonskull, the other series I finished in summer 2023, I thought I would take a look back at the end of The Silent Order series in the Internet's favorite favored format, a numbered article and or podcast episode. Minor spoilers follow for The Silent Order series, but no major ones. 00:04:22 #1 The Protagonist When I started thinking about The Silent Order way back in 2016, I had just read the original James Bond books by Ian Fleming for the first time. I decided that I wanted to write about a spy, but in space. I also wanted to write a character who is essentially the opposite of James Bond, so the name was a play on that from James Bond to Jack March. The inspiration was that bond stays in place, but march is moving forward. Unfortunately though, I didn't realize it until the books were published and people started pointing it out to me, this meant that Jack March had the same initials as I do, which led to occasional accusations of him being an author avatar. This was definitely not what I had in mind. If anything, the closest match to my personality in any of my books would be The Sculptor from Frostborn: The Dwarven Prince, a curmudgeonly technician prone to occasional ranting. I did make March a contrast from James Bond, at least the literary version. Bond is gregarious, charming, drinks way too much, and has a different girl of the week. Well, every weekend, sometimes every day. March is grim, taciturn, very professional, and gets annoyed at the thought of a girl of the week. His fight against The Final Consciousness is personal in a way that various nemeses in the books rarely were. I believe Ian Fleming originally intended to make the Soviets the overarching big bad of the Bond books, but after tensions eased marginally between the West and the Soviets in the 60s, he switched to different villains and eventually settled on Specter and Blofeld. 00:05:56  #2 The Setting Specifically, Calaskar. March works for The Silent Order, part of the intelligence agency of the Interstellar Kingdom of Calaskar, which has seven core systems and several hundred minor colonies of varying sizes around the solar systems it claims. Calaskar is more culturally conservative than its neighbors, especially Rustaril and Raetia. But not terribly repressive. An American from the 1950s would find it rather relaxed, while an American from 2023 would probably find it stifling and conformist. It was a thought experiment on my part. How would a technologically advanced, yet relatively stable society look in the distant future? Of course, Calaskar isn't always stable. Where Rustaril and Raetia used to be part of the Kingdom but broke away and went in very different directions. It helped that March was born inside the empire of The Final Consciousness and so able to look at Calaskaran in society with a critical eye. He does think it tends toward the conformist and the parochial, but it doesn't have the brutality of the labor camps of The Final Consciousness, the social decay of Rustaril, or the vast gap between rich and poor of Raetia and the Falcon Republic. 00:07:08 #3 The Final Consciousness The Final Consciousness, also known half mockingly as The Machinists, is the overarching villain of the series. They're basically space communists combined with some of the crazier transhumanist ideas. The initial inspiration was the first few original James Bond books, where the Soviets and SMERSH were the chief adversaries. Further inspiration for the final consciousness came from college professors and crazy tech million. Years, sometimes college professors and academics will propose the most appalling things, like we need to reduce the Earth's population to 1 billion people, or everyone should be housed in giant cities and not allowed to leave, or children should be taken from their parents at birth to be raised in impartial institutions. The academics are always super unclear about how to do that and glide over little details like, how exactly the population will be reduced from 9 billion to one or how will they be encouraged to move into giant cities. These various tech billionaires also provided additional inspiration for The Final Consciousness. If you will forgive something of a generalization, it seems that if you become a billionaire in America, there's a non trivial chance you're going to turn into a transhumanist weirdo, like you'll want to put computer chips in people's brains, or you'll spend all your time worrying about the singularity and artificial intelligence. Or you'll spend 18 hours a day exercising and taking experimental treatments and claim to have the body of a teenager when you're 43, when to the unprejudiced eye, you actually look like a very fit 42 year old. The Final Consciousness is what you would get if all these people had unlimited resources to put their very bad ideas into practice. What they ended up with was a tyrannical hive mind ruling over an essentially enslaved population. The hive mind, believing itself to be the final stage of human consciousness and evolution, was driven to expand and destroy all the obsolete societies around it. That did not match the self perceived perfection of The Final Consciousness. Since Machinists tried and failed to militarily conquer Calaskar they turned instead to infiltration and subversion, which touches off the plot of The Silent Order series. Of course, the hive mind was built on the technology of the Great Elder Ones, an extinct alien race, who turned out to be not so extinct after all. 00:09:16 #4 The Great Elder Ones In a lot of science fiction, you have sort of elements of Lovecraftian cosmic horror working their way in, and that's where The Great Elder Ones came from. I had the original idea of The Great Elder Ones way back in the late 2000s, long before I discovered self-publishing. I was thinking about a fantasy series in a world that had an early modern level of technology. The study would have a communist revolution which would create the inevitable dictatorship and secret police state that always seems to follow communist revolutions, but the twist would be that the secret police organization was actually a cult worshipping a dark power, and they plan to use the mass loss of life associated with revolution to fuel a summoning spell to bring their dark power back to the world. I abandoned that ideas as unworkable and unlikely to sell, but I returned in the relationship between The Great Elder Ones and The Final Consciousness. Of course, Silent Order is science fiction, not fantasy, so it was cast in science fiction terms. The Final Consciousness used the surviving technology of The Great Elder Ones to build their hive mind, but that made them vulnerable to manipulation and control from The Great Elder Ones. The Great Elder Ones have been locked outside this universe by their ancient enemies, but plan to use The Final Consciousness is pawns to allow them to return and destroy the universe like they originally intended. 00:10:32 #5. The First Five Books I originally started writing Silent Order: Iron Hand on New Year's Eve in 2016. My original plan was to actually write the first four books, and once they were done, release them once a week until they were all out. I ended up writing a fifth book because of a news article I read. Originally I planned to go straight from Silent Order: Axiom End to Silent Order: Fire Hand. However, I read an article in mid 2016 arguing that an iPad made for better productivity tool than a Linux desktop. I found this implausible. In the seven years since then, the iPad has become better as a productivity tool, and since you can get a keyboard case and cast it to a bigger screen, but it's still really expensive and it's a lot easier to hook up an ergonomic keyboard and a big ‘ol monitor to a Linux System than to an iPad. It's substantially cheaper too. So to make a point, I wrote, edited and published Silent Order: Eclipse Hand entirely on Ubuntu Linux. Back then I still wrote about technology and Linux on a regular basis, so it fit neatly into my workflow. I also designed the cover entirely on GIMP on Ubuntu. More on that soon. All five books were ready to go in September 2017, and then I published the first one at the end of September, and the rest in October of that year. The initial plan was to put them in Kindle Unlimited since science fiction was very popular in Kindle Unlimited at that point. However, this disappointed enough people that I abandoned the initial plan and switched to wide distribution, which means books were on in addition to Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, and Smashwords. This series had a good start and I thought that it would be an open-ended series with a new adventure of the week with every boo. More soon or why this didn't quite work out. However, moving the books out of KU proved a wise decision. For all of 2023, as of this recording, only 49.1% of Silent Order’s total revenue came from Amazon, the rest came from the other retailers. If that was a parliamentary democracy, they could make a coalition against Amazon if they wanted. There's no way KU page reads could have made-up that difference, especially since the Kindle Unlimited payment rate per page is quite a bit lower than it was in 2017. 012:55 #6: History I set the Silent Order books a long, long way into the future. Like roughly 100,000 years from now. I did this for a couple of reasons. First, it's always a little painful when you read older science fiction, you come across a sentence like mankind had its first hyperspace flight in 1996, or the protagonists have a problem but need to conserve computer power because they only have so many data space/data tapes. The phenomenon of one's futuristic science fiction becoming dated is called zeerust, and something I wanted to avoid if possible in Silent Order. Second, having the series take place 100,000 years into the future left a lot of wiggle room in the setting’s back story. It meant that things could be lost, forgotten, or distorted for most of the series. No one is entirely sure exactly where Earth was, because the information has been lost after 100,000 years of human expansion into space. Obviously that kind of thing can be useful for plotting. In the Silent Order back story, there were five United Terran Empires that ruled over mankind for thousands of years at a time, but they all collapsed for various reasons. It also meant there could be lost technology plots as all the Terran empires had technological expertise that was lost when they collapsed… genetic engineering and high level AI and so forth. Third, it let me disconnect Silent Order from a lot of contemporary disputes here in the early 21st century. One of the tricky parts of writing near future science fiction is that it's easy to have the books take a stance on the immediate crises of the day, which can annoy a lot of readers. Having the books set so far into the future means that from the perspective of characters, years the various concerns of the 2020s seen as academic and as dusty as, for example, the Investiture Controversy or the dispute between the Guelphs and the Ghibellines seems to us today. So to someone in Jack March’s time, the 2020 election and all its upheaval, or the coronavirus pandemic would be as distant and academic as the Investiture Controversy is to us today. 00:14:55 #7 Technology One complaint about the books was that Jack March regularly used a gun, a chemically propelled kinetic firearm, or that he often used a handheld computer he called the phone. Like, why didn't he always use a laser pistol or a particle gun, or have some sort of hyper advanced neural implant that functioned as a phone? Isn't this science fiction, for heaven’s sake? Of course, that's a bit like asking why in 2023 you're still using a knife to cut your bread when instead you can use a high end laser cutter. The answer, of course, is that the knife is cheap and reliable and fulfills this technological niche so perfectly that even though there are more advanced alternatives available, it would be costly and pointless to use them. I think chemically propelled firearms fulfill that niche as well. People forget this, but firearms have been around for over 800 years. King Edward the Third used cannons in the opening battles of the 100 Years War, which started in 1337 A.D., quite a long time ago. Obviously firearms have been refined and improved considerably since that time, but the basic principle remains the same: metal tube, metal projectile, chemical propellant. Even in Jack March's time, a chemically propelled firearm offers many advantages. It doesn't require electricity and can be built without computer parts, meaning the weapon is immune to an EMP effect. Additionally, it is much less fragile than a more advanced weapon. The AK47 could famously still fire even after being dragged through a stream or left in the dirt for a while. Granted, it may not be terribly accurate, but it could still fire. With 100,000 years’ worth of small improvements in material science, You couldn't 3D print a working firearm in your basement. It wouldn't even be made of metal and therefore much harder to detect. When March uses a phone obviously it would be more advanced than anything available today, but the word phone is a convenient shorthand to refer to personal data, mobile computing and communication device, and I settled on that instead of using a more science fiction-esque word like data pad or personal terminal. I didn't want to call it a communicator because that brings Star Trek to mind. Besides, one the cardinal rules of writing is to never use a long word when a shorter one will suffice. 00:17:02 #8 The Covers If I remember right, I ended up redoing the covers for the Silent Order series five times in total. The first set used a combination of a stock photo spaceship and a stock photo planet along with the custom font I paid for. After a while I had stock photos of people holding weapons against space background, but that really didn't work, so I switched down for a new set of stock photos of spaceships and planets. I was bumping up against the limits of what I could do with stock photos and GIMP. The difficulty of stock photos is their limitations. What you see is what you get. Ask anyone who's done any design work of any kind, and you'll probably get stories of searches for stock photos that turned up many pictures that almost good enough, but not quite. Then the COVID hysteria came around and I used some of the free time that generated to take a Photoshop course. I managed to produce a fourth set of covers, ones that used human figures and looked quite a bit better than the previous set of covers. However, shortly after that I saw Penny Arcade cartoon that has solidified my opinion on science fiction cover. They needed planets and they needed spaceships, and they needed to be in proximity. I redid the covers one more time. Suddenly, on five years after the final look of the series, which featured a spaceship, a planet, and in close proximity planets and spaceships was indeed the way to go. The series has had its best sales with the final set of covers. 00:18:29 #9 False Ending Despite my best efforts, Silent Order never sold as well as my fantasy books, and after eight books I wanted to do something else. Originally, as I mentioned, I planned for the series to be open-ended and ongoing. However, in the years since I've learned that in fantasy and science fiction, especially indie fantasy and science fiction, that really doesn't work. Like if you're John Sanford or Jeffrey Deaver, Jonathan Kellerman, JD Robb, or CJ Box, you can write books where your protagonists essentially has an adventure of the week or year, given traditional publishing schedules, without an overarching plot to the series. However, that's a different genre than fantasy and science fiction. And in traditional publishing, it's basically a different business model. I think because of certain well-known authors in fantasy literature who haven't finished their series, readers in the indie fantasy and science fiction space expect completed series with an overarching plot that gets resolved and quite a few of them refused to read an unfinished series at all. So I decided to wrap things up with Book Nine, which was Silent Order: Ark Hand in 2018 and give the series an ending with Jack March settling down on Calaskar. I intended to stop there and did stop there for three years. But people kept asking when I was going to write more in the series and I did feel I left too much unfinished with the Pulse and the Great Elder Ones. So in 2021, I decided to pick it up again, thinking it would take one or two more books to wrap up the series with a further ending. It turned out to be 5 more books for 14 total. I thought it was going to be 15. But after I finished #13, I thought 14 and 15 would be better combined as a single book, which is how we got Pulse Hand. 00:20:00 #10. Thanks, Chat GPT It only took six years to write the series, which isn't all that long, but technology has changed quite a bit during that six years and insane AI was a feature of the books dating all the way back to Silent Order: Wraith Hand, which I wrote back in 2017. I first introduced the character of Thunderbolt, another insane AI when I wrote Silent Order: Royal Hand in 2021. Though she wouldn't appear in the books until Thunder Hand in 2023, between the writing of Royal Hand and Thunder Hand, ChatGPT, Mid Journey, Bing Chat, and all the other generative AI tools entered the mainstream. This was a tremendous boon to me. Not because I used them for the writing. My overall opinion of generative AI remains that it's bad. And if it's not meaning the strict legal definition of plagiarism, then it's at least sitting on the same couch as plagiarism, but because of all the tales of AI meltdowns that made it into the mainstream press, like when Microsoft rolled out Bing Chat AI and it famously would go on unhinged rants, threatening people, dissolve into incoherent logical loops, and insist that factually incorrect information was the truth and threatened anyone who doubted it, and otherwise have all kinds of glitches that range from hilarious to deeply disturbing. I read those articles with great amusement and delight and based Thunderbolt’s personality off them. Of course, Thunderbolt has rail guns and their own automated fleet of space warships, so when she has breakdowns, it's a little more concerning. So nearly seven years after I had first had the idea, the Silent Order series has come to its conclusion, its proper conclusion this time. I do hope that you found the ending satisfying. 00:21:26 Conclusion I'd also like to thank Silent Order readers for the enthusiasm for the series in ‘22 and 2023. After I settled on the final cover design, it sold better than it ever has, but still doesn't sell nearly as well as my various fantasy books. That was one of the reasons I was going to stop after Book 9, but the sheer enthusiasm people had for the books and the nagging sense that it wasn't quite finished led me to write 5 more. So thank you all for reading and for coming along with Jack March on this long, long journey. And if you've never heard of Silent Order or if you're one of those people who only reads completed series, the first book is free on all the ebook platforms, so why not check it out? You get Silent Order: Iron Hand for free at Amazon, Barnes and Noble, Google Play, Kobo, Apple Book, Scribd, and Smashwords. So that is it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.
Episode 166: Summer Movie Roundup Part II
Sep 4 2023
Episode 166: Summer Movie Roundup Part II
In this week's episode, I take a look back at the movies I watched over the second half of summer 2023. I also provide writing progress updates and answer reader questions. It’s time for a new Coupon of the Week! This week’s coupon is for the audiobook of GHOST IN THE BLOOD, as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE BLOOD for 75% off at my Payhip store with this coupon code: SEPGHOSTS The coupon code is valid through September 22nd, 2023, so if you find yourself dealing with the Back To School blues, it might be time to get yourself a new audiobook! TRANSCRIPT 00:00:00 Welcome and Coupon of the Week Hello everyone. Welcome to Episode 166 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September the 1st, 2023, and today we're talking about Summer Movie Roundup: Part 2, specifically the movies I saw over the second half of the summer. However, before we address any of our topics or even discuss spreading projects, let's do this week's Coupon of the Week. Long time listeners remember that I used to do Coupon of the Week but I stopped around March 2023 just because I was running out of time. But I have been able to revive it, and this week's coupon is for the audiobook of Ghost in the Blood as excellently narrated by Hollis McCarthy. You can get the audiobook of Ghost in the Blood for 75% off at my Payhip store with this coupon code, SEPTGHOSTS. Again, that's SEPTGHOSTS and the coupon code will be in the show notes for this episode. That coupon code is valid through September 22nd, 2023. So if you find yourself dealing with the back to school blues, I think it might be time to get yourself a new audiobook. 00:01:15: Writing Progress Updates/August Ad Sales Now let's have an update on writing progress. I'm pleased to report I am done with the rough draft of Silent Order: Pulse Hand, the 14th and final book in my Silent Order science fiction series. As part of my Summer of Finishing Things, I am in currently in the second round of edits for it, and if all goes well, I am hoping it will come out sometime before September 10th. We will see how the upcoming week goes in terms of progress. After that is done it will be full speed ahead on Ghost in the Serpent, the first book in the new Ghost Armor series and the first Caina book I've written in two years. I am also working on the side. I finally have time to do it again. I am finally working on Sevenfold Sword Online: Leveling. I'm on Chapter 2 of what will probably be 16. And I'm thinking that will probably be the last book I published in 2023. But we will see how the rest of the year goes. Since it is the end of August and the start of September, let's take a look back at my advertising results for August 2023, like we usually do at the end of the month. For Facebook ads, here's what I got back for every $1.00 I spent advertising the series on Facebook ads. For The Ghosts, for every dollar I spent, I got back $3.12. For Cloak Games, for every dollar I spent, I got back $3.62. And for Frostborn, for every dollar I spent, I got back $4.39. I should also say having a complete series in audiobook really, really helps with the profitability of running an ad. Like for August 2023. It looks like about 38% of the Frostborn revenue came from the audio books, and for Ghosts it was about 36%. Obviously, the challenge with that is that having a complete series in audio book, especially when you write in long series like I do, is an enormous amount of time and expense. It can also take a long time for the audio books to earn back their investments. Like, Brad Wills narrated Frostborn number six through 15 for me and so far, number six and #11 have actually earned back what I've spent on them and #12 is getting close. I would have to double check the math, but for the 18 Ghost Books Hollis McCarthy narrated for me, I think about seven of them have earned back the investment so far. I do have complete confidence they will all earn out within a few years. It also helps very much that for my specific business and tax circumstances, audiobook production does count as a business expense and therefore is a tax deduction. I really didn't do anything with Amazon ads in August because Dragonskull: Sword of the Squire was an Amazon monthly deal in the UK for 99 Pence, which is, you know, about, give or take $0.99 in USD, but I expect I'll do more within September, once Sword of the Squire goes back up to $4.99 USD. And as always, thanks for reading and listening to the audio books. There would be no point in advertising if you did not. 00:04:08: Reader Questions/Comments Before we get into this week's main topic, let's have some questions and comments from readers and listeners. Edward writes in to ask: I just wanted to say how fantastic the end of the Dragonskull series was, although to be honest, I’d like to read about Niara and Calliande meeting for the first time. At the end of the book, it says there was a preview for the last next series in The Last Shield, I can only find on Amazon The Final Shield same thing, just a small mistake. Thank you for your time and especially for all your wonderful books. Thanks, Edward. I'm glad you have enjoyed them all and to answer to your question, that was a small mistake I made. The story is called The Final Shield. For some reason when I was writing it, I kept transposing it as The Last Shield and I had to go back and double check a bunch of times and it looks like looks like I missed a spot, so I'll have to go back and fix that. But the story in question, that is a preview of the Shield War series I will right next year is The Final Shield. In fact, I almost said The Last Shield, but no, it's The Final Shield. Our next question is from Jake who says about the final book of the Silent Order series, bittersweet. I hate it when a series ends. Hopefully there'll be more in the new series. Space holds so many mysteries. Thanks. I'm glad you have enjoyed the series. I'm not actively planning to write anything more in the Silent Order series. But neither am I saying no to the possibility. In the few years, or maybe even a few months, I may have the urge to write some science fiction again. And if I do, I will probably go back to the Silent Order setting, because after 14 books it's a very well developed setting. Our next question is from T who writes in to ask: Hello, sorry to bother you. I've been reading your books since high school. I don't know if I missed the newsletter. Are you not doing any more Ghost series books? Thanks for reading, T. I'm glad you have enjoyed the books and to answer your question, that was a very convenient timing for your question because next week in fact, I am planning on starting Ghost in the Serpent, the next book…first book in the new Caina series. I gave her a bit of a break since I finished writing Ghost in the Sun since 2021 because I wanted to stop and think of it about what I wanted to do next with the character and I last time arrived at the conclusion. So I will be starting on that next week. Our final comment is from Michael who says about Dragonskull: Love the series and just read The Final Shield. Was wondering when you would venture to this storyline. So excited for new series. Have fun writing. I'm so glad I chanced upon your free The Gray Knight Book book. So that started me on my journey of so many of your stories. Thank you for amazing stories that helped me to escape reality sometime. Thanks, Michael. I am glad you have enjoyed books and that they help you to escape reality. Sometimes we can all do that at times. It does reinforce my point that giving away the first book of your series for free is a good idea. Because I've had a lot of people tell me they got into Frostborn when they came across Frostborn: The Gray Knight for free and that sort of drew them into the whole universe of Andomhaim and all the books. There, so that's it for questions and comments from readers for this week. If you have any questions or comments you'd like asked or answered on the show, send them in to me via e-mail or leave a comment on my blog or Facebook posts and hopefully we'll get to it. 00:07:31 Summer Movie Roundup 2: The Sequel So on to our main topic for this week. Summer Movie Roundup 2: The Sequel. Alas, the trees in my yard are already losing their leaves, which means that summer is almost done. That means, however, it's time to do the second half of my Summer Movie Roundup where we rate the movies and TV shows I watched over the summer, and this time we're going to go from worst to best. So I'm afraid starting out with the worst thing I saw in the second half of the summer was Secret Wars. I would describe it as dour, plotting, and very confusing, Marvel's attempt to do a gritty spy novel but with space aliens, and it didn't really work. All the actors gave good performances, especially Ben Mendelsohn, Kingsley Ben-Adir, Olivia Coleman and Emilia Clarke. Don Cheadle is really good as a villain as you know, if you've seen this hilarious Captain Planet parody. But again they seem like characters in a gritty spy novel, not characters in any Marvel TV show about shape shifting space aliens. It was annoying that Nick Fury got the Last Jedi treatment in this. He went from mastermind super spy to a bumbling old man who single handedly causes all the problems in the series. Every single one of them with his incompetence and his effort effortlessly replaced by a competent younger woman. Honestly, if furious, exasperated Skull allies decided to eliminate and replace him with one of their own. You really couldn't blame them. Disney seems to really love this “legacy character is now a loser” storyline since they did it with this and Star Wars and Indiana Jones. If Disney had made Top Gun Maverick: Maverick would have been a bitter old man unwillingly dragged out of retirement by resentful recruits and the movie would have lost $100 million instead of making 1.4 billion. Honestly, it feels like the Marvel Cinematic Universe had a satisfying ending with Avengers Endgame and an excellent epilogue with the Tom Holland Spiderman movies (especially No Way Home) and Guardians of the Galaxy 3, which we'll discuss more in a bit. But most of the TV shows feel like DLC cranked out to squeeze a few more bucks out of a good game fading from the public consciousness. Overall grade: D minus Next up is Battleship, which originally came out in 2012. And I saw this movie for a very idiosyncratic reason. I listened to the Halo Game soundtrack a lot on Spotify, and after it does, after I listened to it, Spotify autoplays and decides to recommend the Battleship soundtrack to me for all reasons. And then I saw that the Battleship movie was on Prime. So I thought, what the heck, let's try it. You could tell this movie had been in production hell for a while. It's ostensibly based on the board game Battleship, and while the connection is there, you kind of have to squint and have a few drinks first to notice it. The movie was as dumb as Secret Invasion, but much more entertaining. The first third of the movie plays like some sort of wacky comedy. Aimless loser steals a chicken burrito to impress the girl at the bar. But it turns out the girl is the admiral's daughter. So he joins the US Navy to impress her. This apparently works because after the time jump, he's a Lieutenant and they want to get married…he wants to get married to the Admiral's daughter, who is, in fact a physical therapist at the Naval Hospital in Hawaii. Except Lieutenant Loser keeps screwing up and threatening his naval career. Then space aliens invade. If you've ever played the original Battleship game, you'll recall that it does not have any space aliens, but this movie does. For some reason, aliens who have mastered interstellar flight and impenetrable force fields land their ships in the ocean and engage in naval combat. All the other senior officers get wiped out, so Lieutenant Loser suddenly finds himself in command. And since the alien ships are impervious to both radar and sonar, the US Navy has to track them using water displacement on a grid, just like the game of Battleship. Meanwhile, the Admiral's daughter is helping a double amputee acclimate to his artificial legs when they discovered that the aliens are preparing to phone home from Hawaii and they need to stop it. That would have been a much more interesting movie :Wounded war veteran is recuperating at a hospital, only aliens invade. Since he is the only one with leadership skills, it's up to him to save the day. It also was interesting in the movie when a group of retirees take a museum ship to fight the aliens since that's the only ship they have left. That also would have been a better movie than this one. Overall grade: D minus but C plus for the bits with the wounded veteran and the retirees, because those honestly were the best parts of the movie. Next up is The Amazing Spiderman 2, which came out in 2014 and which I saw for the first time this year. Honestly I think this movie got a bum deal. It's actually pretty good. You'll recall that Sony panicked and rebooted their Spiderman series after this, which led to the Tom Holland Spiderman series as part of the Marvel Cinematic Universe. But I really think they overreacted. I saw the first Amazing Spiderman movie last year and thought it was so-so, sort of like a gritty reboot for Spiderman. I expected The Amazing Spiderman 2 to be worse based on its reputation, but instead I really liked it. It had an entirely self-contained story arc and had good character growth for both the villains and the protagonists. This was the first version of Harry Osborne who seemed kind of scary and not just like a loser punching bag for his evil dad. So with that in mind, it was nice that Andrew Garfield…the Andrew Garfield version of Spiderman got a proper send off in Spiderman: No Way Home. Overall grade: A minus. Next up is Guardians of the Galaxy: Volume 3, which came out this year in 2023. It's a rule of thumb in writing and screen writing in particular that if you want the audience to hate a character, show the character being cruel to an animal. Boy, does Guardians 3 lean hard into this! The villain, The High Evolutionary, regularly experimented on animals and raised them to sentience and then killed them if they fail to meet his increasingly insane expectations of perfection. Of course, The High Evolutionary also committed genocide fairly regularly for thousands of years, but that mostly happens off screen. There was a minor Internet controversy about animal cruelty in film when this movie came out, but I think it was overblown because 1. All the animal cruelty is the work of the villain. 2. This is shown to be shown to be unambiguously morally bankrupt. 3. It's mostly shown off screen through montages of worrying surgical instruments, and the results of The High Evolutionary’s experiments, a rabbit with cybernetic spider legs and so forth. Anyway, the plot of the movie is that Rocket Raccoon was The High Evolutionary's most brilliant creation, a technical genius without equal and The High Evolutionary wants him back so he can dissect Rocket’s brain and use that genius to chase his elusive perfect society. The Guardians team up to rescue Rocket. It's a very dark movie for all the reasons mentioned above, but it has numerous moments of genuine humor, and it achieves an increasingly rare feat :a satisfying ending in a superhero saga. All the characters experience growth in the arcs and achieve resolution, even if it is somewhat bittersweet. Overall Grade: A minus Next up is Mission Impossible: Dead Reckoning, Part One which came out in 2023, which I actually saw in the theater. Mission Impossible: Dead Reckoning: Part One is an excellent example of a high quality action movie. I think we can all agree that Tom Cruise is kind of a strange dude. But his devotion to his craft is both inspiring and very unsettling. However, in the early 2010s, he seems to have embraced the role of action star, and he's been running with it, often literally, ever since. The Mission Impossible movies are as implausible as the Fast and Furious series, but they somehow maintain a greater air of verisimilitude. Perhaps Mr. Cruz's insistence on doing as many of his own students as possible really does help with that in this movie. Ethan Hunt’s up against an evil artificial intelligence called The Entity. It's up to him to find the two halves of the key that can control the evil artificial intelligence. Many action sequences follow, and I'm looking forward to Part 2, which should come out next year unless the Hollywood strikes affect that. Overall grade: A. And now for the best movie I saw in the second half of the summer: Oppenheimer, which came out in 2023 and which I saw in the theater this year-a biopic about J. Robert Oppenheimer, the director of the Manhattan Project that developed the atomic bomb done in Christopher Nolan's non-linear style. In my opinion, I think Oppenheimer is tied with The Dark Knight and Inception for Nolan's best movie. All the cast gives stellar performances. For a movie that is about historical events, meaning the ending has already been spoiled by default, it has a remarkable degree of tension. It's a great portrait of Oppenheimer, a man who helped build the atomic bomb so the Nazis wouldn't get it first, is later horrified by the consequences of what he has done, and yet still loves his work, loves being known as the father of the atomic bomb, and probably would’ve done it all over if given a chance. Oppenheimer's nemesis, Lewis Strauss, is usually portrayed as a villain in popular American history. In real life, he did numerous admirable, charitable things that his rivalry of Oppenheimer overshadowed in the public consciousness. But the movie is also an excellent character portrait of Strauss, an egotistical man who is underhanded and very petty but is nonetheless absolutely convinced that he is doing the right thing to serve his country and finds Oppenheimer both personally and morally offensive. Moral ambiguity is a phrase that gets thrown around a lot, but Oppenheimer actually does manage moral ambiguity quite well. All the characters have no good choices, only an array of bad ones and the resulting consequences. I would give it an A+, but I think the nude scene was pointless and I don't approve of nudity in film in general. Overall Grade: A, almost an A plus. Final thoughts on the movies I saw this summer: I didn't get around to seeing Barbie, though I don't disapprove of the idea of a Barbie movie and I thought the whole Barbenheimer thing was hilarious, but I don't go to the actual movies all that often. I took a day…half day off to celebrate publishing Dragonskull: Crown of the Gods so I could see Oppenheimer during that half day. I expect I'll see Barbie on streaming at some point. Oh, let's be honest: I'm definitely the Christopher Nolan target demographic and not the Greta Gerwig one, though Gerwig’s adaptation of Little Women was excellent. What's amusing is that Warner Discovery released Barbie on the same day as Oppenheimer to screw with Nolan, since Nolan fell out with Warner during the pandemic and went to Universal instead. The goal, obviously was to try and bury Oppenheimer. What actually happened was the Barbenheimer meme. And Barbie made well over a billion dollars, and Oppenheimer did like 750 million by the time of this recording. Some executive at Warner was probably like, “We wanted revenge, and all we got was a lousy billion dollars.” Now I have to admit I am old enough that I can think of a few people I would like to have revenge on, but if God came down from heaven and said, “You can have either a billion dollars or revenge,” I think I would choose the billion dollars. So that is it for this week. Thanks for listening to the Pulp Writer Show. I hope you found the show useful. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.
Episode 165: Finishing the Dragonskull series
Aug 28 2023
Episode 165: Finishing the Dragonskull series
In this week's episode, I take a look back at the DRAGONSKULL series, and discuss what it took to complete a 9-book epic fantasy series. TRANSCRIPT 00:00:00 Introduction, Writing Updates, and Reader Questions Hello everyone. Welcome to Episode 165 of the Pulp Writer Show. My name is Jonathan Moeller. Today is August the 25th, 2023 and today we're going to talk about how I finished the Dragonskull series with a look back. Before we get to our main topic, let's have an update on my current writing progress and some questions from readers. Right now I am working on Silent Order: Pulse Hand. I am pleased to report I am 55,000 words into it, which puts me on Chapter 13 of 16. I am at the climactic scene of the book, and indeed the entire series, because this is the final book in the series as part of my Summer of Finishing Things, and so hopefully that should be out sometime in September if all goes well. Once Silent Order: Pulse Hand is finished, I will start in my next book which will be Ghost in the Serpent, the first book of Caina’s New Ghost Armor series and hopefully that will be out in October. In audiobook news, recording is underway for Dragonskull: Fury Of the Barbarians. If all goes well, I think we'll probably have that out in October sometime. But we will see how the next couple of weeks go. Our first question this week is from Michael who asked: Concerning the Dragon Skills Series, are you going to do all nine books as a pack? It would be great to purchase once rather than scroll through nine different titles. Unfortunately, no. That would just not be financially viable, I'm afraid. Later this year I am going to put together a Dragon Skull Omnibus One so I can have a nice, big four pack with three books and a short story, both in ebook and audiobook format, but I don't have a plan to do a complete series bundle just because I would have to charge so much. It would not be a cost savings for you the reader, and it would still be cheaper to buy the individual books. Our next question is from Guy who asks: Hey, Jonathan. Have loved the Silent Order series and can't wait to see how it ends. I know I’ve asked this before so please forgive me, do you have any other plans to revisit the Demonsouled series? They are awesome. Also, will we see more of Gareth Arban, another amazing series? Thanks, Guy. I'm glad you've enjoyed all those books and answered your question. At the moment, I have no current plans to go back to the Demonsouled series, but I'm not ruling it out entirely. We will just have to see what the next few years bring. In answer to your other question, we will see more of Gareth in the Shield Wars series, which I'm going to start next year, since that is also in the world of Andomhaim. Our next question is from Justin, who asks: I expected the Silent Order series to go to 15 books based near your past writing. 14 will be collecting the spoiler and reporting back, 15 would be the final act. And answer to that question, I did originally plan for Silent Order to be 15 books. However, as I was looking through the outlines of book 14 and book 15, I thought these look a little thin on their own and I'd have to you pad them out a bit with some extraneous subplots, and as you get towards the end of the series, especially a really long series like Silent Order, you don't want to be adding in subplots, you want to be, you know, having subplots be resolved as you narrow the focus down to the conclusion and the resolution of the main conflict. So I looked at those two outlines I thought either I would have to pad these out a bit or I could combine them and make one slightly longer book to finish off the series. And I thought, yeah, I'm going to do that because that's what I'm doing right now. And I think it's going well and I think and I'm hopeful that readers will be satisfied with the ending to the Silent Order series. We will find out next month. Our next question is from Rob, who asks: Did I imagine the new Ghost Series, Ghost in the Serpent? I've been trolling,but I can't find it. Rob asked this on Facebook, which has this very irritating habit of not showing things in chronological order and sometimes disappearing posts, even if you looked at them already. But in answer to Rob's questions, you did not imagine a new Ghost series. After Silent Order: Pulse Hand is done, I will be writing Ghost in the Serpent, the first book in the Ghost Armor series. Hopefully that’ll be out in October and hopefully the audiobook will be out before the end of the year because I have a spot reserved with the narrator to have her recorded in November 2023, if all goes well. And our last question this week is from Jerry, who asks: How did I miss you continuing on with the Silent Order series?  Last I read was book eight. What Happened with Book 9 and did not get published on Google Play Books? The last one I read, Jack retires and lives with the professor lady. Thanks, Jerry. I'm glad you enjoyed the books and in answer to your question…there's a couple of answers. I had originally planned to stop with Book 9, Silent Order: Ark Hand, but I decided that the series was incomplete at that point and so I ended up writing five more books. The fifth and last one of which I am writing right now. For a while there was a metadata error on Google Play where the series order of the books was not displaying correctly. I believe that has since been corrected and all 13 books in the series I've written so far should be available on Google Play and the 14th one I fully intend will be there in a few weeks. So those were the questions this week. If you have any questions you'd like to have the answer on the show, please leave a comment on my blog or Facebook site. And if I see it and I have time, I will make sure that gets included on the show as a question. 00:05:28 Main Topic: A Look Back at Dragonskull Now to our main topic this week, a look back at Dragonskull, which seems appropriate because after two years, nine books, 731,000 words, and 10 short stories, the Dragonskull series is finally complete. Thank you all who came along on the quest of the Dragonskull. I hope it was an enjoyable journey for all of you who've read it. So, it's time to take a look back at the writing process of the series. We'll do this using the Internet's favorite form of communication, a numbered list. Note that this podcast episode will have minor spoilers for some of the nine books, so if you haven't read them all, it would probably be a good time to stop listening to this episode and go read the rest of the Dragonskull series before you continue onward. 00:06:12  #1 Deciding on a New Series. After I finished writing Dragontiarna: Warden way back in summer 2021 (almost two years ago to this recording in fact), I knew I wanted to write another epic fantasy series. I just wasn't sure what I wanted to do. I did know that I wanted it to be different than Dragontiarna. If you will recall, Dragontiarna had five main point of view characters over the 10 books, Ridmark, Niall, Tyrcamber Rigamond, Moriah Rhosmor and Third, along with a bunch of secondary point of view characters and writing that got to be really challenging towards the end since it's generally best to include something of an arc for every main POV character in a book. So after writing Dragontiarna, I wanted to write something a bit less complicated for my next series. Of the nine Dragonskull books, the first five, with the exception of the epilogue, are entirely from Gareth Arban's point of view. I also wanted to write a series with a more focused scope and stakes, like in Dragontiarna the fate of the Cosmos was at stake, and you can't do that with every book and every series. You can't have the character of saving the Cosmos every book. Dragontiarna sometimes had major battles taking place simultaneously on two different worlds, and so I wanted to write something with a tighter focus for the new series. I thought for a while about starting the new series in an entirely new setting. I do intend to do it at some point, but not this year and probably not in 2024. Since Andomhaim and neighboring realms is such a big place, I decided to set the new series there and visit locations that we didn't see too much of in Frostborn, Sevenfold Sword, and Dragontiarna, the Qazaluuskan Forest and beyond. So that was the start of Dragonskull. 00:07:52 #2 Choosing a Main Character I wanted to try a younger main character this time around. Ridmark by the time of Dragontiarna was a middle-aged man and by the time most people reach his age, they are usually are who they are going to be. By contrast, a younger protagonist has more developing and maturing to undergo, which means that there is an opportunity to tell a different kind of story than you can with a middle-aged protagonist. I settled on Gareth as the main character and decided to start the series when he was 17. Now most of us, when we were 17,  1: know nothing, 2: think we know everything and 3: usually undergo a variety of unpleasant experiences to cure some points 1 and 2. Naturally, this provides excellent opportunities for storytelling. In Gareth's case, he thought he knew what it took to be an honorable knight but he got some of the particulars wrong. In hindsight, I think it took too long for him to develop. If I could do it all over, I probably would have had that pivotal scene at the end of book two rather earlier than it actually took place in the series. 00:08:52 #3 The Villain The main villain was Azalmora, though of course we had numerous other villains over the course of the series. I actually happened upon Azalmora 's name by accident. In the first draft of The First Sorceress, which was her first appearance, her name was Azurmara, and then I was editing and I mistyped her name and came out with Azalmora instead. I thought that sounded much better, so by happy accident I changed her name to Azalmora. She turned out to be a pretty great villain: disciplined, intelligent, and self controlled, which of course makes it easier to write the protagonist, since the villain doesn't make obvious mistakes, so they have to be willfully blind not to exist. #4 Improvising the Norvangir As you might recall, if you read my website for any length of time, I usually outline everything in advance and I did the same thing with Dragonskull. I did however, improvise the Norvangir entirely. In the original outline, Gareth and Company would meet the Ghost Path Tribe of Halflings after leaving the Qazaluuskan Forest. The closer it got to that point, however, the more bored I became with the idea, since I felt like you would just be digging up an obscure point above Frostborn: The Skull Quest. At that time, I happened to watch a National Geographic or possibly PBS documentary about how the Vikings came to North America , specifically, Canada, substantially sooner than anyone originally thought, and an idea took hold. What if a group of Vikings accidentally sailed into a mysterious mist that was actually World Gate and ended up in the world of Andomhaim? I liked the idea enough that I rewrote the series outline to accommodate it, and thus the Norvangir were born. I do wish I got in the Ghost Path Halflings into the story, but once I had swapped in the Norvangir it seemed like an unnecessary side quest at that point. 00:10:30 #5 Improvising Niara Niara was always in the outline for the series from the very beginning. I wasn't entirely sure what her personality would be like, though. Early on, I envisioned her as much more somber and stoic. As the books went on and the character developed, the stoicism remained, but the somberness was replaced by a combination of the love of fighting, stubbornness, and a violent charisma. When Niara is convinced that she is in the right, she absolutely will not back down and will cheerfully fight anyone who tries to force her to change her mind. I found that happens quite a bit when writing fiction. You envision s character one way, but then you actually write them and they start interacting with the setting and the conflict and the other characters, and they turn out quite a bit differently than the way you originally thought. 00:11:12 #6: The End I've realized that when writing a series, you need to have a definite endpoint in mind. Like, if you're JD Robb, John Sanford, or Jeffrey Deaver, you can write a long series of open-ended novels about the same detective. But that doesn't really work in fantasy. The reader expectation is that there will be an ending, a fairly epic ending, at some point. I've tried writing a fantasy series with an open-ended plot line in mind. But it never seems to work, so the ending is important both for the individual books and definitely for the entire series as a whole. I think I arrived at a satisfactory ending for the series. The key to a proper ending, of course, is that it needs to provide emotional resolution to the conflicts previously raised in the story. Fantasy as a genre has a bad reputation for unfinished series. Mostly this is the fault of the publishers, with a few notable exceptions. They'll contract a writer for trilogy or five book series, and then cancel it after the second book only sells 80% of the copies of the first one. On occasion, it is the writer’s fault. The writer just bit off more than he or she can chew or got excited with a new idea it, didn't really plan it out or think it through. So I hope the ending for Dragonskull is satisfying, and if it isn't, remember that disappointing ending is much better than no ending at all. 00:12:28 #7 What's Next? Dragonskull is over, but there is more stories in the land of Andomhaim and neighboring realms. If all goes well, I will start on Shield of Storms, the first book in the Shield War series, sometime in the sometime in the first half of 2024. And finally, I would just like to thank everyone who came along for the Dragonskull ride. I'm glad so many of you enjoyed the books and that series has been my best selling one for the last two years. So once again, I would like to express my gratitude to everyone who has read, bought, and enjoyed the books and shared them with your friends. Thank you very much. It is very appreciated and you are the best readers in the world. So that is it for this week. Thanks for listening to the Pulp Writer Show. I hope you found this show useful. If you enjoyed the podcast, please leave for review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.
Episode 164: The Silmarillion & Magic The Gathering
Aug 14 2023
Episode 164: The Silmarillion & Magic The Gathering
In this week's episode, I recall reading THE SILMARILLION for the first time as a teenager, and discuss how it later influenced MAGIC THE GATHERING. TRANSCRIPT 00:00:00 Welcome and Writing Updates Hello everyone. Welcome to Episode 164 of The Pulp Writer Show. My name is Jonathan Moeller. Today is August the 13th, 2023 and today we're going to discuss The Silmarillion and how it connects to Magic the Gathering and we'll also answer some reader questions and have an update on my current writing projects. First up, let's have an update on my current writing projects. I'm pleased to report that Dragonskull: Crown of the Gods, the final book in the Dragonskull series is now out. You can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, Scribd, and Payhip on my own store. It came out officially yesterday actually, and it's been selling very well very briskly. So, thank you all for that. It is also the 9th and final book in the Dragonskull series, so those of you who refuse to read the series until it's complete, you can now buy all nine Dragonskull books immediately and enjoy them. I also released a bonus short story called The Final Shield that is a preview of the next Epic Fantasy series I will write in Andomhaim in the year 2024. So if you want a preview of that series, you can check out The Final Shield. My newsletter subscribers will have gotten that story for free and I'll be doing a follow up e-mail in a week or so. So, if you sign up for the newsletter right now, you will get a free ebook copy of The Final Shield next week. Now that Dragonskull is finished as part of my Summer of Finishing Things, the next thing I will write will be Silent Order: Pulse Hand, the 14th and final book in the Silent Order science fiction series. I'm going to start that tomorrow as a matter of fact and hopefully have it out towards the end of September. 00:01:49 Reader Questions and Comments So, let's have some questions and comments from readers. Our first question is from James, who asks: I do have a question. I understand it's very expensive to create an Audible book. Are there any plans to make an Audible version for the last set of the Ghost Night Book series? At the moment, no. The Ghosts is completely in audiobook. Ghost Exile is completely in audiobook, and when I start writing a new Caina series after Silent Order: Pulse Hand, I'm going to start doing that one in audiobook right away. But at the moment, I don't have any plans to do a Ghost Night audiobook series. Things may change later, but for now I don't. Our next question is from Andy, who asks: For Dragonskull: Doom of the Sorceress, you seem to do a soft open, e.g. publish the table of contents on Wednesday and then late Friday I was able to download the book on iBooks. I'm hoping the same for The Crown of the Gods. Well, this is what I do when I publish a book: The first day I will publish it everywhere on all the platforms: Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, Payhip, and then through Smashwords, should get on Scribd eventually, and then I leave alone the rest of that day. So the day after then I will start an Amazon auto target ad to start getting word out. The day after that I will post links. So the second day after I publish I will post links for the book on Facebook and other social media and then the day after that, ideally the third day after publishing, is when I will send out the newsletter letting everyone know that it's been read, so that way, usually by then, by the third day, it's finished processing on all the platforms and I can then send out a newsletter out letting every reader I have on every platform know that it's available on their platform of choice. So that's usually what I do. For the table of contents, I post that when I get to a certain phase of editing, and at that point I'm almost done with the book. So once I have posted the table of contents, it's not too much longer until the book will be done and I will be ready to publish. Our next question is from William, who asks similar questions: I've been listening to some of your works through Audible. I started listening to Frostborn: The Gray Knight. It seems like I'm missing some of the story. Your website says Frostborn: The First Quest is the first book, but I can't seem to find it on Audible. Is it in a bundle that I'm not aware of, similar to The Ghosts: Omnibus One? What books or series should I read before that one, Frostborn or is Frostborn its own universe? Thanks for listening, William. I'm glad you enjoyed the books. To answer your questions, Frostborn is its own universe, completely distinct from The Ghosts. Frostborn: The First Quest is a prequel novel I wrote before the main series of Frostborn, and we've never done that one in audio because it is not part of the main story and you don’t actually need to read Frostborn: The First Quest to understand what's going on in the main story. So that’s sort of a bonus material that's out there. Potentially someday, we might do Frostborn: The First Quest in audio, but I don't have any plans to do that right now. And I should mention that the complete Frostborn series is in audio as is the two sequel series, Sevenfold Sword and Dragontiarna. They're all available in audio and you can get them all on Audible. Our next question is from Paloma, who asks about the Dragonskull and Frostborn series. A question: the Magistri get married and have families, but I don't remember any Magistri in the books having any spouses with them. I hope that is not the men…and the men and women in the situation are like monks. So I hope Joaquin has someone amazing in his future. That is an interesting question, but in the setting of Andomhaim, the Magistri can in fact get married. If you've read the Frostborn series, you might remember at the end the Magistrius Camorak does get married to a widow at the end of Frostborn: The Shadow Prison. So it is perfectly normal for the Magistri in Andomhaim to get married. That said, they tend to get married at a much lower level than the rest of the population in Andomhaim. This is partly because a lot of the commoners and many of the nobles in Andomhaim have a deep suspicion of magic and only tolerate the Magistri because they're useful or sometimes not at all. Sometimes the Magistri themselves also get very either wrapped up in their studies to the point where they don't have time for spouse and children, or they become so in love with their own power and prestige and authority that they, you know, don't have any interest in pursuing relationships. Because the nobles are more common…or more comfortable with the Magistri than the commoners, it's not entirely uncommon for a Lord to have an affair if he happens to have a female Magistria assigned to his court. And this doesn't happen like terribly often, but often enough that it's the subject of several popular songs that the nobles and the Magistri aren't too fond of Andomhaim. So that is the bit of world building there, that the Magistri can get married and do, but not as often as the rest of the population in Andomhaim for the reasons we just mentioned. And finally, we have a comment from Bill about last week's episode about dealing with bad reviews. And Bill had this to say: Love this episode and you are 100% correct. Don't respond. Do not engage. Some people are just spoiling for an argument. Sometimes I've wrote a review and thought, you know, for your point, and sometimes I felt, well that guy totally missed the point. But most of all, don't let negative reviews get under your skin. What you write is not going to appeal to everyone. We live in this amazing paradox. There are more books than ever, and readers have access to all the books ever via online services. So why waste your time reading something you don't like and then taking the time and effort to complain about it? Sounds like some people need a hobby. Not every author’s works are going to appeal to every single reader. That's OK. There is tons of other great stuff out there. The important thing is that your work will appeal to some readers, and those are folks you should cherish. That's what matters and pays the bills. So wise words from Bill there and a good reminder that it's never a good idea to engage with negative reviews online. 00:07:54 The Silmarillion and Magic The Gathering: Arena So now it's time to transition to our main topic, The Silmarillion and Magic the Gathering, and we're going to talk about how The Silmarillion and Magic The Gathering: Arena, the free app are related. If I remember correctly, I first read The Silmarillion when I was either 17 or 18. I got it at the small town bookshop in the small town where I grew up. The book shop alas, no longer exists and the storefront is now occupied by a place selling kitchen fixtures. I still have the specific copy of The Silmarillion that I bought. It was the gold mass market paperback that showed the fall of Númenor on the cover, and the cover blurb said it was the history of the Elves of Middle Earth. Since I had read the Lord of the Rings when I was 16, I was definitely interested in trying The Silmarillion. Reading the Lord of The Rings gives us a sense of the vast history behind the story, a history that had been going on long, long before Bilbo ever met Thorin Oakenshield and found the ring in the goblin tunnels beneath the Misty Mountain. At the end of Rings, there are bits and pieces of that history in the various appendixes, but it had never been fully explained. So, I thought The Silmarillion might be an intriguing read, and at 17 or possibly 18, I was already very interested in fantasy worldbuilding, which as we know, would serve me well in later…later in life. Now it must be said, The Silmarillion is kind of a difficult read. Like, it starts off with the creation myth and then has a long section where the Valar ordered the world and then explains who each of the Valar are in great detail and the elves don't even show up for a while. In terms of the text, it feels like a combination of reading an ancient chronicle like Xenophon or Tacitus combined with the Epic of Gilgamesh and the historical books of the Bible, specifically the ones where every chapter starts with King Whoever did evil in the eyes of the Lord, more than all his predecessors combined. So in terms of reading, The Silmarillion is a heavy lift. But what did I think the first time I read it? In all honesty, The Silmarillion blew my underdeveloped adolescent mind. It was one of the first fictional things I read that was truly epic in scope, like some parts of it, I just didn't get, but I had just enough historical knowledge at the time to grasp from the inspirations. Like, the Valar were kind of like the Greek and Roman gods without the jerkish behavior, Melkor/Morgoth was an analog for the devil, Numenor was inspired by Atlantis, and so forth. As you get older, some, in fact, many of the memories of adolescence tend to get hazier, but I can still clearly remember reading portions of The Silmarillion in that gold mass market paperback for the first time, the music of the Ainur, Fëanorand the Silmarils, Melkor and Ungoliant, the Battle of Tears Unnumbered, Fingolfin’s duel with Morgoth before the gates of Angband, Beren and Lúthien Tinúviel, Turin and the Dragon Glaurung, The fall of Gondolin, The voyage of Eärendil, and finally the War of Wrath when Eärendil casts the Great Dragon Ancalagon The Black from the sky into the towers of Thangorodrim and Morgoth is finally overthrown. And then at the end, Maglor, in his despair and grief after so much suffering, casts the final Simaril into the sea, and forever wanders Middle-earth, singing of his regret. All these amazing, epic, and tragic scenes are cached in the imagination. I mean, I can't remember what I had for lunch yesterday, but I do remember reading The Silmarillion for the first time. About that time I started digging around in my school's library and I found some of the various history of Middle Earth books that Christopher Tolkien had published from his father's copious notes. Among them was The Lays of Beleriand, which included an epic poem Tolkien wrote about the quest of Beren and Luthien, but never got around to finishing. The poor guy enjoyed puttering so much that is probably astonishing that he finished the Lord of the Rings at all. I don't generally enjoy poetry, but since I already knew the story of Beren and Lúthien, and I was able to follow along with the poem and the sheer craft and skill that blew my mind. Like, I never have had any interest at all in writing poetry, but this was amazing. The Silmarillion, like the Lord of the Rings and The Hobbit, is one of those books that will endure the test of time and become part of sort of the cultural canon like Sherlock Holmes, Romeo and Juliet, Ebenezer Scrooge, and so forth. Let's jump forward many years to 2023, when I started playing Magic The Gathering: Arena. The game received a Lord of the Rings themed expansion pack, which I started playing in June, once it made its way onto the app. It's a point of pride with me that I've never spent any actual U.S. dollars on the game, but I've won enough matches that the in game gold starts to accumulate and the only thing to spend the in game gold on is in game card packs. So I've gotten more and more and more of the Rings themed Magic cards. One of those cards is the Tale of Tinuviel, which is an enchantment card that distributes its effects over three turns. On the first turn, you pick a creature to be invulnerable for the next three turns. On the second, you can pick two creatures to have life link to the end of the turn. And on the third, you can bring back one of your previously killed creatures. It's a powerful card, which is fitting, since in The Silmarillion, Lúthien forces Sauron to flee and puts Morgoth and his entire court to sleep long enough for her and Beren to escape from Angband within the Silmarils. Anyway, the very first time I played the Tale of Tinuviel card, I was losing the match pretty badly, but I played the card and turned things around just long enough for me to win three turns later. It was an interesting experience, since it brought back the memories of reading The Silmarillion and the Lays of Beleriand from the first time, all those years ago in a previous century. And amusingly, I played a match right before I recorded this podcast and I won because I used the Tale of Tinuviel yet again. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe, stay healthy, and see you all next week.