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String Quartet No. 16 in E-Flat Major, K. 428: II. Andante con moto (Excerpt)
While Instrumental Genres and Chamber Music
Le nozze di Figaro, K. 492: La vendetta, oh, la vendetta! (Excerpt)
Donato Di Stefano, Hungarian State Opera Orchestra & Pier Giorgio Morandi
There Are Reports of Encores at the First Performances
Don Giovanni, K. 527: Don Giovanni, a cenar teco (Excerpt)
Bo Skovhus, Janusz Monarcha, Renato Girolami, Hungarian Radio Chorus, Nicolaus Esterházy Sinfonia & Michael Halász
On Returning to Vienna, Mozart Received Good News
Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace (Excerpt)
Kölner Kammerorchester & Helmut Müller-Brühl
Seemingly Keen for a Change of Scene
Così fan tutte, K. 588: Come scoglio (Excerpt)
Joanna Borowska, Cappella Istropolitana & Johannes Wildner
Besides Così, Mozart Completed Relatively Few Compositions
Die Zauberflöte, K. 620: Der, welcher wandert diese Strasse voll Beschwerden (Excerpt)
Herbert Lippert, Elisabeth Norberg-Schulz, Peter Jelosits, Péter Köves, Budapest Failoni Chamber Orchestra & Michael Halász
The Magic Flute Was Not Mozart’s Only Stage Work of 1791
Clarinet Concerto in A Major, K. 622: II. Adagio (Excerpt)
Pierre-André Taillard & Concerto Köln
The Clarinet Concerto Marked Mozart’s Farewell
Requiem in D Minor, K. 626: II. Kyrie (Excerpt)
Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Vladimír Rusó & Zdenek Kosler
Having Become Ill Towards the End of November
Mass in C Major, K. 317 "Krönungsmesse" (Excerpts): Sanctus [Excerpt]
Košice Teachers' Choir, Camerata Cassovia & Johannes Wildner
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